From Bacchus weaving his spell in a Spanish street to Gilbert and George getting gradually drunk on Gordon’s, here’s our pick of pieces in which booze plays a key part. Velázquez – The Triumph of Bacchus or The Drinkers (1628-1629) In this ironic masterpiece, the Spanish painter whose career took him from portraying the street […]
Fountain The original version of the 1917 urinal Fountain was lost without ever being publicly displayed. He used the pseudonym R Mutt to conceal his authorship when he sent the work to an exhibition of the Society of Independent Artists in New York. The show’s organisers, among them Duchamp himself, rejected the entry, which led […]
It was the exhibition that everyone seemed so eager to hate: Mega-dealer Larry Gagosian’s Lower East Side “pop-up” space, open through May 23, showcasing sculptures by Urs Fischer inside a former Chase bank on Delancey Street. (Another gallery outpost at 821 Park Avenue is hosting his massive bronze piece, “last supper.”) “How’s Gagmewithaspoon?,” my friend […]
Michael Snow is an unusual case of an artist best known for his least conventionally accessible works. Snow’s legacy will always be defined by in his groundbreaking structuralist films, especially the 1967 masterpiece Wavelength, even as opportunities to experience those works as they were meant to be seen become increasingly rare. (Snow has wryly addressed this […]
The Berlin show is vast, Ai’s largest ever, spanning 32,300 square feet in the Martin-Gropius-Bau. Most of the works are new, tracing the time since his relationship with the government went sour ahead of the 2008 Olympics. They also tend to take a more personal tone, playing up (for better or worse) the celebrity status […]
The past year has seen collectors and auction houses creating their own art market. They’re essentially bypassing dealers, galleries, and critics, identifying artists on their own, buying works by those artists cheaply in great numbers, then flipping them at vastly higher prices to a network of other like-minded speculator-collectors. Thus, we’ve seen the rise of […]
This photographer once dismissed as a shallow sensation-seeker of the 80s is getting the recognition he deserves with a show at the Grand Palais, Paris’s high temple of art – and it’s all down to Smith. The Grand Palais in Paris is one of Europe’s most serious exhibition spaces. It is where France honours its great artists. […]
Monstrous as the Wall was, it offered artists like Noir – and musicians like Bowie – a dark subject matter that is lacking in safe consumerist societies. Has culture ever recovered from the fall of the Berlin Wall? Seriously. The division of Berlin and state surveillance endured by people trapped in the eastern half of the […]
A joyous celebration of ad hoc creativity fills the Duveen Galleries. The revamping of Tate Britain has produced such an atmosphere of understated elegance that one hardly dares breathe for fear of displacing a particle of dust. An air of suffocating sterility has seeped into the displays, which are so tastefully arranged that even the […]
We always knew Ai Weiwei was a fan of Marcel Duchamp. The Chinese artist’s massive bicycle sculptures made reference to both a mode of transport commonly associated with Chinese peasantry, and also Duchamp’s first readymade,Bicycle Wheel (1913), consisting of the front forks and wheel of a bike fitted into a wooden stool. Now the Chinese artist has drawn […]
Unknown, alien objects disorientate you from your very first steps: once you’ve navigated past the dog-eared sofa that curiously blocks the entrance, Work No.1092 (2011) hurtles worryingly close above your head (or for taller visitors, could well threaten decapitation). It’s exciting, but witty too – the 12-metre long neon sign , spelling ‘Mothers’, dwarfs you […]
Chris Burden In 1972, visitors attending Burden’s show at Mizuno Gallery in Los Angeles were treated to what appeared to be a crime scene, with a covered cadaver lying on La Cienega Boulevard, surrounded by police flares. In fact, it was the artist himself “making a piece of sculpture,” as he later put it. He […]
March 8 was International Women’s Day, and though few people remember this occasion in America, in Russia we celebrate it as a major national holiday. Every March since my Soviet childhood I was reminded to appreciate all the intelligent and hard-working women who have played a pivotal role in my life and generally made our world […]
If you bring up the name Stefan Simchowitz in the company of art dealers, collectors, advisors, or other professionals, you are bound to get a vigorous reaction. A producer of Hollywood movies like “Requiem for a Dream” and a co-founder of MediaVast, the photo-licensing site that was sold to Getty Images in 2007 for $200 million, Simchowitz is one of […]
He’s one of Britain’s greatest painters – and he rarely flings open his studio doors. David Levene swooshes in to glimpse the great man at work. Take a look!
He may be in his 80s and in need of a wheelchair to get about, but Howard Hodgkin still paints with staggering power. Jonathan Jones meets a ‘living master’. Howard Hodgkin sits in a wheelchair in his studio. Light falls through the glass roof on to big boards propped against white-washed brick walls. One by one, […]
“I don’t want to tell you this work is about women,” said artist Jordan Wolfson over the phone, “because I don’t think that’s true.” Wolfson, a 33-year-old artist who works in video, performance, and sculpture, was on a lunch break at a special effects studio in Los Angeles where he was developing his latest work, […]
Check out the video of cutting edge Animatronics by Jordan Wolfson at David Zwirner Gallery, NYC. No, we really mean it – check it out and watch the Video, and enlarge it!
“Do you think I’m rich?” asks a male voice. “Yes,” says a female voice. “Do you think I’m a homosexual?” “No.” That exchange is the sole dialogue in Jordan Wolfson’s 14-minute video “Raspberry Poser”, currently projected on massive wall at David Zwirner, and the only clue Wolfson offers to his intentions. That is, if it’s […]
According to the New York Times’ chief art critic Roberta Smith, she only gives one talk and she’s been giving it for the last 30 years. “I give it a new title every so often,” she quipped last week . Smith’s glibness may appear off-putting, but in person it was anything but. I interviewed her […]