“I could have done that” is a cynical statement that I’m sure we’ve all come across at some point. Some artists occasionally feel invited to respond rudely to the dilettantish comment (and sadly, very often with the similar amount of ignorance). The truth is that there was a series of events that preceded the multivalent […]
Today, art can be almost anything. But there was a time in the not-so-distant past when abstraction was inconceivable, and it was believed that art could only represent something that already existed in the real world. There was a time when an object couldn’t be considered art unless it showed evidence of the artist’s touch. And until […]
Can One Make Works That Are Not “Works” of Art? This was a question asked by Duchamp in his notes from 1913, and remains being the essential question while considering the Richard Mutt Case. Exactly one hundred years ago, in 1917, the course of art history has been completely changed by a submission of a urinal […]
There is no doubt that the 20th century art was all about changing perspective. The artist’s way of seeing and therefore understanding things has been changing and continues to do so even in this day and age. The new, experimental approach to perspective was pursued both directly and implicitly. Painters and sculptors had abandoned linear […]
The notion that collectors sit atop the hierarchy of today’s art world is axiomatic. They build private museums and control the boards of traditional ones. Through their acquisitions, they determine the fates of artists, and often overshadow curators, historians, and critics—all those ink-stained intellectuals who used to play a larger role in determining art’s value. […]
It’s hard to believe, but the year is almost over. Another 12 months have whizzed past us, with their usual load of openings, exhibitions, biennales, and art fairs. In this article artnet news goes down memory lane to remember some of the best exhibitions that took place in Europe in 2015, in no particular order.
From the streets of Manhattan Alan Cumming whips through the history of Pop Art in America and Britain, from Andy Warhol’s soup cans to Peter Blake’s blue jeans.