This year’s Turner Prize shortlisted artists are hooked on materiality. Not some slick, seamless production-value fetishism geared for maximum visible impact, but almost the exact opposite—a thoughtful, often overly self-conscious, politically inflected take on materials and media, on production and reproduction, in which the frictionless transparency of images is jammed by the clunky inertia of […]
Robert Gober’s retrospective “The Heart Is Not A Metaphor,” which opens on October 4 at the Museum of Modern Art in New York, is a strange and moving survey of domestic unease, seemingly pointless labor, and creeping horror, among other things. You enter the exhibition past a pair of very different works: “X Pipe Playpen,” […]
To say that Blenheim Palace is grand is an understatement: It’s epic. Entering the estate, with its stunning view of the open fields and humongous 18th-century mansion looming at the back, one feels like they have slipped into the opening credits of cult TV drama Downton Abbey. The Palace, built in 1704 by architect Sir […]
Has the Turner prize lost its power to shock? No – thanks to James Richards’s sphincter shots. But it’s Tris Vonna-Michell’s spellbinding spoken-word travelogues that deserve to win. What a heartening way to celebrate 30 years of the Turner prize. People are always saying the Turner, which shocked the nation with Tracey Emin’s unmade bed […]
Royal Academy, London Anselm Kiefer’s monumental work in ash, straw, diamonds and sunflowers dazzles in a superb retrospective. Only with the help of a blindfold would you be able to wander theRoyal Academy’s stupendous retrospective of his work and leave feeling anything less than drunk with amazement. However much you know about Kiefer, it’s impossible […]
The greatest of our gallery spaces are a challenge to fill, but the canvases of Anselm Kiefer, in the exhibition that opens at the Royal Academy on Saturday, make light work of it. Created with colossal labour over a period of many years in his successive huge studios – one a former silk factory in […]
The big man of Beijing’s new show fills the former prison with a giant rainbow dragon and Lego models of 175 prisoners of conscience, from Nelson Mandela to Edward Snowden. The artist’s bravery and commitment are extraordinary. Welcome to prison, and a celebration of liberty. Ai Weiwei, the big man of Beijing, has spent years […]
Born in Germany as the Nazis fell, Anselm Kiefer’s back catalogue is an astonishing look at the awful burden of history. Anselm Kiefer was born in Germany in 1945. A new life can rarely have started in a less promising place and time. To enter the world as the Third Reich fell was to be […]
Kiefer’s range seems limitless: the courtyard entrance to the Royal Academy will be dominated by his first ever vitrines for outdoor display, one containing ships, as it were, beached, the other with vessels afloat. The sunflowers are over for another year: the confident golden heads have drooped, their sunny countenances giving way to a black […]
Since his release from an 81-day detention by Chinese authorities in 2011, Beijing-based artist and activist Ai Weiwei has not kept silent, despite stipulations that prohibited interviews and other activities. In the United States, he was the subject of the traveling retrospective “Ai Weiwei: According to What?” which wound up its tour at the Brooklyn […]
Is an exhibition ever too beautiful for its own good? Jenny Holzer’s new show at Cheim & Read, Dust Paintings, is ravishing. But the sensuality of these text-based abstractions, done in oil on linen in mostly muted colors, runs counter to their content, which is derived from declassified government reports of brutalization and death during the […]
At 69 Kiefer is widely regarded as one of the most important artists alive, or, to put it another way, a master at the alchemy of metamorphosing all manner of items into something more interesting, and sometimes much more valuable than gold: contemporary art. He is one of a succession of notable artists who emerged […]
SAN FRANCISCO — Judging from the large bags of colorful Legos on the floor and dozens of plastic base plates piled on tables, this room could have been the activities station for a well-funded summer camp. And the five women and men drifting in and out, slicing open boxes and rooting around for the right […]
Its Wikipedia entry calls it “a short and violent movement,” and even compared with the aesthetic extremes of the 1960s, the unrelenting art of Vienna Actionism stands apart. After the passage of fifty years, the questions it raised about the limits and origins of art remain no less troubling or closer to resolution. The four […]
Steampunk shipping containers, planes full of sunflowers and triptychs the size of squash courts – Michael Prodger visits the place that’s produced some of the most extraordinary artworks of the last century. Anselm Kiefer is a bewildering artist to get to grips with. The word that comes up most often when his work is discussed is […]
Prior to the Royal Academy’s show, we look at one key work by the great German painter. No one, beyond the Royal Academy’s curatorial team, knows exactly what’s going on display at next month’s Anselm Kiefer exhibition, yet it is already being described as a blockbuster. The RA is devoting all of its galleries to the […]
Protesters swarmed the Fesch Museum in Ajaccio, Corsica on Tuesday and Wednesday, demanding that it remove Andres Serrano’s ever-incendiary work Piss Christ (1987). As Le Figaro reported, approximately 50 people stood outside the museum holding a large sign which read “PISS CHRIST FORA,” or “Piss Christ out.” The protesters contend that the work is an affront to Catholicism and an “insult to every Corsican,” the […]
When 16,000 dead pigs floated down a river in Shanghai last year, it inspired a lot of questions about China’s environmental conditions and a lot of disgust. Now, those pigs have helped inspire an arresting exhibit at Shanghai’s contemporary art museum, the Power Station of Art. The solo show, called The Ninth Wave, opened this […]
On August 20, Canadian performance artist Istvan Kantor smeared a white wall on the third floor of the Whitney Museum’s Jeff Koons retrospective with his own blood, and signed the impromptu mural with the name “Monty Cantsin,” andHyperallergic reported. He was photographed by a passerby, ecstatically raising his arms and holding a piece of paper.
At the heart of Kazimir Malevich’s art is a statement so final that everything else orbits it. Emphatic, plain and declarative, his Black Square has a modest, expressionless presence. It seems like a last word. But what was it? An abstract icon? A tombstone for pictorial art? The portrait of an idea? Or a thing in itself? Perhaps not […]