Zoe Williams goes among the women as fetish furniture at the RA’s new show to find out. I find it very difficult to have an authentic response to work that has generated a lot of controversy in the past. My inner contrarian harasses me to disagree with the orthodoxy. So I was all set to […]
There are many sides to the work of the German artist Anselm Kiefer. Those lucky enough to visit his studio complex at Barjac in the South of France encounter a staggering array of installations, underground tunnels, and tottering concrete towers resembling some contemporary equivalent to the fortifications of medieval Tuscany. But wisely, the Royal Academy […]
Anselm Kiefer in Conversation before Kiefer’s major retrospective at the Royal Academy in London, with the new Director of the RA, Tim Marlow. This is only the third time that one artist has taken over the whole of the Royal Academy, the other two being David Hockney and Anish Kapoor – we can’t wait to […]
Kiefer uses a vast panoply of materials in his art, each of which have intricate symbolic meanings. Studiously parsed, they trigger a kind of spiritual-historical giddiness. There is the straw, for instance, that symbolises the hair of the German prison guard Margarethe in Paul Celan’s poem “Death Fugue.” There are the seven flames that represent […]
This year’s Turner Prize shortlisted artists are hooked on materiality. Not some slick, seamless production-value fetishism geared for maximum visible impact, but almost the exact opposite—a thoughtful, often overly self-conscious, politically inflected take on materials and media, on production and reproduction, in which the frictionless transparency of images is jammed by the clunky inertia of […]
Has the Turner prize lost its power to shock? No – thanks to James Richards’s sphincter shots. But it’s Tris Vonna-Michell’s spellbinding spoken-word travelogues that deserve to win. What a heartening way to celebrate 30 years of the Turner prize. People are always saying the Turner, which shocked the nation with Tracey Emin’s unmade bed […]
Royal Academy, London Anselm Kiefer’s monumental work in ash, straw, diamonds and sunflowers dazzles in a superb retrospective. Only with the help of a blindfold would you be able to wander theRoyal Academy’s stupendous retrospective of his work and leave feeling anything less than drunk with amazement. However much you know about Kiefer, it’s impossible […]
The greatest of our gallery spaces are a challenge to fill, but the canvases of Anselm Kiefer, in the exhibition that opens at the Royal Academy on Saturday, make light work of it. Created with colossal labour over a period of many years in his successive huge studios – one a former silk factory in […]
Born in Germany as the Nazis fell, Anselm Kiefer’s back catalogue is an astonishing look at the awful burden of history. Anselm Kiefer was born in Germany in 1945. A new life can rarely have started in a less promising place and time. To enter the world as the Third Reich fell was to be […]
Kiefer’s range seems limitless: the courtyard entrance to the Royal Academy will be dominated by his first ever vitrines for outdoor display, one containing ships, as it were, beached, the other with vessels afloat. The sunflowers are over for another year: the confident golden heads have drooped, their sunny countenances giving way to a black […]
The great German artist hits history and the Holocaust head on in works that are liberating, moving and defiantly dark. The show spans 40 years, from the scandalous series Heroic Symbols, in which he used the Nazi salute illegally, to giant works that took him over a decade to paint. Go look!
At 69 Kiefer is widely regarded as one of the most important artists alive, or, to put it another way, a master at the alchemy of metamorphosing all manner of items into something more interesting, and sometimes much more valuable than gold: contemporary art. He is one of a succession of notable artists who emerged […]
Berlin played host to the third edition of ArtFi, the Fine Art and Finance Conference, on Wednesday, welcoming influential panelists and art world insiders to the Tagespiegel newspaper headquarters for a day of high-tempo exchange on the latest trends and developments in the art market. Coinciding with Berlin Art Week, the conference’s focus on art and […]
Steampunk shipping containers, planes full of sunflowers and triptychs the size of squash courts – Michael Prodger visits the place that’s produced some of the most extraordinary artworks of the last century. Anselm Kiefer is a bewildering artist to get to grips with. The word that comes up most often when his work is discussed is […]
Phillips announced the opening of a new auction house and exhibition space in the exclusive address of Berkeley Square, London, on Monday. The official opening will take place during October’s buzzing Frieze Art Fair week. The relocation is part of an ambitious plan to propel Phillip beyond its long-standing third-place position in the auctioneering game (“Ostrowski […]
A holdover from the days of the French salon system, art awards provide distinguished organizations—museums, government bodies, corporations, philanthropic groups—with a way to honor the outstanding artistic talent of the day (and to burnish their own reputations in the process). With Grand Rapids’s headline-grabbing Artprize on the horizon, we’ve assembled a glossary of the world’s […]
Prior to the Royal Academy’s show, we look at one key work by the great German painter. No one, beyond the Royal Academy’s curatorial team, knows exactly what’s going on display at next month’s Anselm Kiefer exhibition, yet it is already being described as a blockbuster. The RA is devoting all of its galleries to the […]
The artist Ai Weiwei, confined to his house and studio in Beijing, his passport confiscated by the state, has been roaming the corridors and state rooms of Blenheim Palace, one of the grandest houses in England, through a 3D computer model. He has never set foot in the gigantic home of the Duke of Marlborough, but is […]
LONDON — Sometimes art can be difficult to understand. Sometimes the art market can be even more baffling. Back in December, the contemporary dealer David Zwirnersaid in a New Yorker profile that art was “an industry in its golden age.” His point seemed to have been proven during the June 17 preview of the Art Basel fair in […]
At the heart of Kazimir Malevich’s art is a statement so final that everything else orbits it. Emphatic, plain and declarative, his Black Square has a modest, expressionless presence. It seems like a last word. But what was it? An abstract icon? A tombstone for pictorial art? The portrait of an idea? Or a thing in itself? Perhaps not […]