Ai Weiwei prepares for Blenheim Palace show but must keep his distance

The artist Ai Weiwei, confined to his house and studio in Beijing, his passport confiscated by the state, has been roaming the corridors and state rooms of Blenheim Palace, one of the grandest houses in England, through a 3D computer model. He has never set foot in the gigantic home of the Duke of Marlborough, but is […]

How the Düsseldorf School Remade—and Redeemed—German Photography

When reading art history, it’s easy to slip into imagining the artist alone in a dingy garret, awaiting the world to recognize his artistic glory. But the idea of individual genius is somewhat of a romantic conceit. In most cases, artists were also once students, perhaps plodding through school exercises, or emulating a mentor. Take […]

The Overwhelming Whiteness of Black Art

If you go to Kara Walker’s new exhibit, “A Subtlety,” at the Domino Sugar Factory in Brooklyn, a lot will overwhelm you. You’ll likely wait outside in a line that snakes down Kent Street, across from rowhouses that were once owned by Puerto Rican families and now fetch millions. You’ll sign a waiver absolving the […]

Use your imagineering: Ryan Gander’s art world of pranks and puzzles

Eyes in the wall, coins glued to the floor: Gander’s new show at Manchester Art Gallery is full of spoof and childish wonder – he’s having a laugh, but is it at our expense? The eyes swivel and follow me round the room, blinking with an echoing clack! Insouciant eyebrows are raised then furrow with […]

Odalisque like you’ve never seen her before – Shawn Hunt

When I first saw Odalisque at Artifake, I found it difficult to look at her. So rather than do that, I wandered off to look at the other works in the gallery as I thought about what so upset me about her. In part it was her gaze and her powerfully strong posture. But mostly it was […]

Critical Reduction: Jeff Koons at the Whitney

Can money buy critical immunity? It certainly seems so, judging by critics’ response to the Whitney Museum’s retrospective devoted to the most expensive living artist,Jeff Koons. In this week’s edition of Critical Reduction, we boil down eight critics’ takes on the shiny extravaganza, which, befitting of such a divisive artist, tend to be either vividly enthusiastic or vehemently dismissive. […]

Performance: do you buy it?

The public is warming to the medium, but collectors remain cool. While some visitors spent the first public day of Art Basel admiring multi-million-dollar paintings, others strayed from the main fair to watch a nude woman examine her body with a hand mirror and a war veteran stand silently in a corner. These performance works, […]

“Jeff Koons: A Retrospective”

If I had to sum up American history in a word, I wouldn’t use racism,though obviously that’s a biggie. I’d pick hokum. I put it right up there withliberty, as in “life, liberty and the pursuit of happiness,” a passage which itself could be taken for hokum, written as it was by a man who owned slaves. However, I […]

Slideshow: The Jeff Koons Retrospective

Art is a “platform for the future,” Jeff Koons announced at yesterday’s press conference at the Whitney. What that means is anyone’s guess, but he followed that up by explaining that he’s 59 and hopes to be making art for at least another three decades. In short, while this may be his first New York […]

Shapes of an Extroverted Life ‘Jeff Koons: A Retrospective’ Opens at the Whitney

There are so many strange, disconcerting aspects to Jeff Koons, his art and his career that it is hard to quite know how to approach his first New York retrospective, the Whitney Museum of American Art’s largest survey devoted to a single artist. First there are the notorious sex pictures from his “Made in Heaven” […]

Shawn Hunt, Conquering fear.

The lighting in this long and cavernous atelier is quite dim—the only light stems from a large lamp shining on the paintings of First Nations artist Shawn Hunt—emotive, beguiling fusions of dimension and colour. “What I’m trying to do is continue the long line of creating art that my people have done over the years,” […]

With Blocks And Bricks, A Minimalist Returns To The Gallery

Carl Andre is credited with changing the history of sculpture. Now nearly 80, Andre once scrounged industrial materials — timber, bricks, squares and ingots of metal — and arranged them on the floor. No pedestals, no joints and no altering of the surfaces. In 1970, the Guggenheim Museum in Manhattan gave the young artist a […]

A century of the readymade

Duchamp’s influence is in evidence at the fair, but can today’s artists reimagine his idea? One hundred years after Marcel Duchamp invented the readymade, his influence reverberates around Art Basel. Overt references include the late Elaine Sturtevant’s Duchamp Porte Bouteilles, 1993, suspended from the ceiling at Galerie Hans Mayer (2.0/E8). The work, which sold to […]

Feudalism returns to the art world

The Art Newspaper: What characterises the art of our time? Harald Falckenberg: In recent years, art has become ever more dominant with large-scale public events and huge prices for important works that only a few wealthy people, leading art institutions and multi-national companies can afford. Having emerged from the 1960s avant-garde’s goal of anchoring popular […]

Five notable works at Douglas Coupland’s VAG exhibit

Douglas Coupland opens his new exhibit at the VAG. Douglas Coupland opens his new exhibit at the VAG. The Vancouver Art Gallery presents Douglas Coupland: everywhere is anywhere is anything is everything from May 31 to Sept. 1.  

Inside Douglas Coupland: art, chaos, lots of Lego at Vancouver Art Gallery

Douglas Coupland has been collecting the stuff for years: toy guns, adding machines, little astronaut figures, tiny cribs and toilets, a giant molar, a punching bag. They came from Craigslist, dumpsters, garage sales, eBay. Now gathered in an enormous installation – white items on white shelves; colourful trinkets on black shelves; a precarious Tower of […]

New exhibition by Ai Weiwei opens in the Yorkshire Sculpture Park’s newly refurbished 18th century chapel

WAKEFIELD.- Yorkshire Sculpture Park announces an exhibition by Ai Weiwei, opening in the Park’s newly refurbished 18th century chapel following a £500,000 restoration. The project, the first by Ai Weiwei in a British public gallery since Sunflower Seeds at Tate Modern in 2010, is accompanied by poetry readings from the works of celebrated poet Ai […]

Ai Weiwei: UK Galleries Play Host To Important New Summer Exhibitions

Two exhibitions of new work by the Chinese dissident artist Ai Weiwei have opened in the UK. The first at a public art gallery in Yorkshire (Yorkshire Sculpture Park (YSP) is his first in a British public gallery since Sunflower Seeds at Tate Modern in 2010. iron tree, 2013 is a majestic six-metre high sculpture […]

Three current Ai Weiwei exhibitions display his wit and courage

Yorkshire Sculpture Park has a strange new tree. Solid yet graceful, inspired by the street vendors of Jingdezhen in southern China, who sell wood for its beauty, “Iron Tree” (2013) is a collection of fragments held together with bolts. It seems to have been in the wars, this tree, much like its maker Ai Weiwei. […]