SAN FRANCISCO — Judging from the large bags of colorful Legos on the floor and dozens of plastic base plates piled on tables, this room could have been the activities station for a well-funded summer camp. And the five women and men drifting in and out, slicing open boxes and rooting around for the right […]
Prior to the Royal Academy’s show, we look at one key work by the great German painter. No one, beyond the Royal Academy’s curatorial team, knows exactly what’s going on display at next month’s Anselm Kiefer exhibition, yet it is already being described as a blockbuster. The RA is devoting all of its galleries to the […]
When 16,000 dead pigs floated down a river in Shanghai last year, it inspired a lot of questions about China’s environmental conditions and a lot of disgust. Now, those pigs have helped inspire an arresting exhibit at Shanghai’s contemporary art museum, the Power Station of Art. The solo show, called The Ninth Wave, opened this […]
At the heart of Kazimir Malevich’s art is a statement so final that everything else orbits it. Emphatic, plain and declarative, his Black Square has a modest, expressionless presence. It seems like a last word. But what was it? An abstract icon? A tombstone for pictorial art? The portrait of an idea? Or a thing in itself? Perhaps not […]
Over the past decade, the Middle East’s participation in the international art world has increased dramatically. Across the Gulf states, world-class museums have been built at a galloping clip, art fairs have blossomed, and Qatar has emerged as quite possibly the largest buyer of contemporary art on the planet. Middle Eastern artists have become stars on the […]
“Scanner Room” – an installation designed specifically for the gallery space that engulfs this space completely, creating an environment constructed by light and filled with it. The form is minimalist, its most important element is a constant, monochrome flow of light that materializes and diffuses itself subsequently. The space has been created for people to […]
Eyes in the wall, coins glued to the floor: Gander’s new show at Manchester Art Gallery is full of spoof and childish wonder – he’s having a laugh, but is it at our expense? The eyes swivel and follow me round the room, blinking with an echoing clack! Insouciant eyebrows are raised then furrow with […]
When I first saw Odalisque at Artifake, I found it difficult to look at her. So rather than do that, I wandered off to look at the other works in the gallery as I thought about what so upset me about her. In part it was her gaze and her powerfully strong posture. But mostly it was […]
Can money buy critical immunity? It certainly seems so, judging by critics’ response to the Whitney Museum’s retrospective devoted to the most expensive living artist,Jeff Koons. In this week’s edition of Critical Reduction, we boil down eight critics’ takes on the shiny extravaganza, which, befitting of such a divisive artist, tend to be either vividly enthusiastic or vehemently dismissive. […]
Manifesta 10 opens at St. Petersburg’s State Hermitage Museum this Saturday. To some—likely the roaming art biennale’s curator, Kasper König, among them—that sole fact is accomplishment enough. Since König signed on to head up the exhibition, much has changed on the ground in Russia: a swath of anti-gay legislation and censorship, and the Kremlin’s growing expansionist tendencies with the annexation […]
If I had to sum up American history in a word, I wouldn’t use racism,though obviously that’s a biggie. I’d pick hokum. I put it right up there withliberty, as in “life, liberty and the pursuit of happiness,” a passage which itself could be taken for hokum, written as it was by a man who owned slaves. However, I […]
Art is a “platform for the future,” Jeff Koons announced at yesterday’s press conference at the Whitney. What that means is anyone’s guess, but he followed that up by explaining that he’s 59 and hopes to be making art for at least another three decades. In short, while this may be his first New York […]
There are so many strange, disconcerting aspects to Jeff Koons, his art and his career that it is hard to quite know how to approach his first New York retrospective, the Whitney Museum of American Art’s largest survey devoted to a single artist. First there are the notorious sex pictures from his “Made in Heaven” […]
It’s all helixed into this: something fantastic, something disastrous. “Jeff Koons: A Retrospective” is upon us. One can’t think of the last 30 years in art without thinking of Koons, a lot. I’ve witnessed this career from very close range. I have seen him transform himself into the Koons hologram we know now; him polishing sculptures […]
Given that he’s a goliath figure in the art world whose output spans three decades, it may come as a surprise that Jeff Koons’s Whitney retrospective is the artist’s first major solo show at a New York museum. The exhibition offers 150 works dating back to 1978, giving visitors a comprehensive look at the former commodities trader’s ambitious and diverse artistic […]
A titanic presence in American postwar art, Jeff Koons is an icon whose popular fame, instantly recognizable sculptures, and consistent status as the most expensive living artist ensure that he will be remembered for a long, long time to come. And that’s not even considering their value as works of art, an appraisal that will have its […]
The lighting in this long and cavernous atelier is quite dim—the only light stems from a large lamp shining on the paintings of First Nations artist Shawn Hunt—emotive, beguiling fusions of dimension and colour. “What I’m trying to do is continue the long line of creating art that my people have done over the years,” […]
Midway through the Whitney Museum’s Jeff Koons retrospective, you come upon “Banality.” The series, unveiled in 1988 at three galleries concurrently (Sonnabend in New York, Donald Young in Chicago, and Max Hetzler in Cologne), made Koons the neo-Pop god that he is today. It consists of a series of man-sized kitsch figurines. “In my ‘Banality’ series I started […]
Carl Andre is credited with changing the history of sculpture. Now nearly 80, Andre once scrounged industrial materials — timber, bricks, squares and ingots of metal — and arranged them on the floor. No pedestals, no joints and no altering of the surfaces. In 1970, the Guggenheim Museum in Manhattan gave the young artist a […]
Everything about the Jeff Koons retrospective at the Whitney Museum of American Art is over-the-top. That includes the press-conference-cum-love-in that opened Tuesday’s media preview, during which museum director Adam Weinberg whipped himself into a subdued but hyperbolic frenzy, rhapsodizing about how Koons’s artistic career had a partial genesis in a 1974 Jim Nutt exhibition Jeff saw, age […]