In laying bare his first pieces, the British painter reveals how he bubbled over with excitement in his student days – and teaches a valuable lesson in how artists can find their signature style. It takes a special kind of courage for a famous artist to drag 40-year-old apprentice pieces out of the attic and […]
‘Witness: Art and Civil Rights in the Sixties,’ at the Brooklyn Museum. “A change is gonna come,” the soul singer Sam Cooke promised in his 1964 hit song. And so it did. Officially, it arrived fast, with the signing into law of the Civil Rights Act that year. In reality, its progress was killingly slow, and […]
The late German artist Sigmar Polke was not the type to make things easy for anyone. After trying to interview him in Los Angeles in 1995, reporter Kristine McKenna wrote that she felt like Margaret Dumont “trying to get a straight answer out of the Marx Brothers.” That same year, British critic Adrian Searle showed up at Polke’s […]
Yoko Ono (B. 1933, Tokyo) has been recognized as one of the most outstanding avant-garde artists for over sixty years. She is a pioneer in many of the artistic fields to which she has dedicated her life, and is considered to be one of the precursors to conceptual art, film and performance art. She is […]
Bilbao exhibition of installations, music and films demonstrates avant-gardiste’s true talents, her reach and influence. ‘The ladder John had to climb up was very high,” recalls Yoko Ono as we chat about one of her most famous works. It is called Ceiling Painting or Yes Painting, and it is one of the classics of conceptual art that […]
Georg Baselitz, the veteran German artist who likes to bait, provoke and raise hackles, most recently with an interview in Der Spiegel in which he said women artists couldn’t paint (he mentioned the few exceptions, which was generous of him), is enjoying a triple billing in London. His new paintings at the Gagosian Gallery adopt the Abstract […]
In 1968, Carolee Schneemann caused outrage in Britain simply by giving a talk about art. “I wore farmers overalls,” she says, “and I had lots of oranges stuffed everywhere. It was about Cézanne, so I showed slides and talked about his influence – and I kept undressing and dressing. I was naked under my overalls […]
At the Gagosian Gallery in King’s Cross, one Hans-Georg Bruno Kern, who changed his name to Baselitz after the Saxon village of Deutschbaselitz where he was born in 1938, also presents Farewell Bill, a suite of impressively large and loose self-portraits in honour of the great Abstract Expressionist painter Willem de Kooning. If Baselitz is […]
WASHINGTON, DC.- Santiago Sierra (Spanish, b. Madrid, 1966; lives and works in Madrid) and Jorge Galindo (Spanish, b. Madrid, 1965; lives and works in London) organized an unusual motorcade along one of the most prestigious thoroughfares in the Spanish capital in August 2012. Seven black Mercedes-Benz sedans made their way down the Gran Vía, each […]
The Britannia Street Gagosian gallery is currently showing the works of Georg Baselitz in Farewell Bill. The new Baselitz paintings are self-portraits that pay reverence to the great artist Willem de Kooning. Baselitz encountered Kooning’s gestural paintings, Woman I and Woman II, as a student in Germany in 1958. A traditional portrait depicts a realistic […]
When Martin Creed was shortlisted for the Turner Prize in 2001, it showed him something about himself that he’d rather not have seen. “What I hated was finding out how much I wanted to win,” he says. “Prizes are stupid but God, I was a desperate man!” It’s an uncharacteristic admission in some ways—Creed casts […]
What’s the connection between a looped high-def video of a carving knife, a row of tall, narrow convex black mirrors, and a hundred-foot-long scroll swarming with shimmering iridescent colors? They are all photographs according to no less an authority than the International Center of Photography (ICP), where they are featured in the exhibition “What Is a Photograph?” on view […]
MEXICO CITY — Few devotees, domestic or foreign, seem to find their way to Mexico City’s museums of contemporary art, of which there are several. Nor are any of those museums firmly fixed on the route followed by the packs of art professionals — curators, collectors, dealers — who ritually travel the planet from one art […]
A woman walks into a grocery store and asks the clerk for some broccoli. The clerk responds that they’re fresh out of broccoli, but the woman refuses to yield on her request. After a bit of back-and-forth, the exasperated clerk offers: Clerk: Ma’am, spell the “car” in carrot. Woman: C-A-R. C: Okay, now spell the […]
Famously inspired by a car crash, Futurism burst forth in 1909 with an uncompromising agenda. Its poetics, as decreed by Filippo Tommaso Marinetti in his manifesto, would be “courage, audacity and revolt” nurtured by “fire, hatred, and speed.” Museums had become “cemeteries,” Marinetti wrote, and should be demolished, along with libraries, to deliver Italy from the […]
From his sculpture of a Hitler salute to his comments on women artists, Georg Baselitz has always been a provocative figure. After 50 years exploring the state of Germany, he tells Nicholas Wroe why he turned to America for his new show. In 1958 Georg Baselitz, then a 20-year-old art student recently arrived in West Berlin […]
Gagosian will exhibit his self-portraits, British Museum has his prints and Royal Academy presents woodcuts from his collection. London is having a Georg Baselitz moment, with three exhibitions showing different aspects of the German artist’s work and passions opening within five weeks. Baselitz was in London on Thursday for an exhibition of new self-portraits at […]
Richard Hamilton was an artist whose considerable ambition was to “get all of living” into his work. In his epoch-making collage of 1956,Just What Is It That Makes Today’s Homes So Different, So Appealing?,the living space is crowded with up-to‑the-minute objects of desire: the TV set, the vacuum cleaner, the tinned ham, the tape recorder, the body builder’s muscles, the cone-shape […]
‘A World of Its Own,’ Examining Photography, at MoMA. Something old, something new, nothing borrowed and not enough color. A variation on the venerable bridal dress code pretty much sums up the Museum of Modern Art’s latest foray into its photography collection, “A World of Its Own: Photographic Practices in the Studio.” In turn, the title of […]
Mention Joseph Beuys’ name and the usual iconic gestures come to mind — the objects made from felt and fat; the scribbled-out drawings; the pioneering performances of “How to Explain Pictures to a Dead Hare” (1965) and “I Like America and America Likes Me” (1974) — all of which have borne a profound influence on […]