The becalmed days of summer are upon us, with the art world gearing up for its annual August disappearing act and the antic joys of summer shows beginning to wane. Sure, you could use this time to simply head to the beach and forget about it all for a while. Or… you could muscle up […]
Possibly the most renowned art critic in American history, Clement Greenberg (1904-1994) held sway for years in the postwar period over not only the popular perception of contemporary art being made in this country but also how the artists themselves thought about it and brought it into being in their studios. While his reign eventually came to […]
Standing before Marc Quinn’s looming Myth Venus sculpture in front of Christie’s Rockefeller headquarters last night was a masked protester holding a large poster that readF*** U. It was a parody of Wade Guyton’s 2005 Untitled that sold for $3.52 million just hours later at the live-streamed “If I Live I’ll See You Tuesday” auction, which included 35 contemporary artworks from blue-chip […]
Beuys, Richter, Kiefer, Polke, Ernst … such a formidable lineup shows up British contemporary artists for the commercial, over-hyped and celebrity focused lightweights that they are. Germany has proved its global footballing eminence by winning the 2014 World Cup, yet soccer is just one of many things Germans excel at. There’s also art. What is the […]
Convinced that consumers are finally ready to shop online for Picassos and choice Persian rugs in addition to car parts and Pez dispensers, Sotheby’s, the blue-chip auction house, and eBay, the Internet shopping giant, plan to announce Monday that they have formed a partnership to stream Sotheby’s sales worldwide. Starting this fall, most of Sotheby’s […]
An early Damien Hirst painting titled Bombay Mix has become the source of controversy London, reports the BBC. The artist is blocking the sale of the piece, claiming that his company, Science Ltd, still holds the certificate for the spot painting, which was painted directly on the wallpaper of a London house in 1988, and is therefore the piece’s […]
If you go to Kara Walker’s new exhibit, “A Subtlety,” at the Domino Sugar Factory in Brooklyn, a lot will overwhelm you. You’ll likely wait outside in a line that snakes down Kent Street, across from rowhouses that were once owned by Puerto Rican families and now fetch millions. You’ll sign a waiver absolving the […]
As a business model, the art gallery occupies a unique position. Functioning as the bridge between art’s existence as a commercial enterprise and its role as a philosophical pursuit, a gallery, unlike other businesses, has a measure of success that is completely divorced from its financial earnings: by championing important artists, and putting on daring […]
As if his museum-filling Whitney retrospective weren’t enough, Jeff Koons currently has a massive sculpture on view at Rockefeller Center. “Split-Rocker,” presented by Gagosian Gallery and organized by the Public Art Fund and real estate developer Tishman Speyer, is comprised of two halves, one the recreated head of a toy pony rocker that belonged to his son, the […]
Art Basel and the London summer auctions are behind us, and the auction market continues to hit unprecedented peaks. But today’s records and art stars came straight out of yesterday’s headline-grabbing auctions. With that in mind, we take a look back at some major milestones of the last few decades—from the 1973 sale that arguably […]
The public is warming to the medium, but collectors remain cool. While some visitors spent the first public day of Art Basel admiring multi-million-dollar paintings, others strayed from the main fair to watch a nude woman examine her body with a hand mirror and a war veteran stand silently in a corner. These performance works, […]
Manifesta 10 opens at St. Petersburg’s State Hermitage Museum this Saturday. To some—likely the roaming art biennale’s curator, Kasper König, among them—that sole fact is accomplishment enough. Since König signed on to head up the exhibition, much has changed on the ground in Russia: a swath of anti-gay legislation and censorship, and the Kremlin’s growing expansionist tendencies with the annexation […]
If I had to sum up American history in a word, I wouldn’t use racism,though obviously that’s a biggie. I’d pick hokum. I put it right up there withliberty, as in “life, liberty and the pursuit of happiness,” a passage which itself could be taken for hokum, written as it was by a man who owned slaves. However, I […]
Art is a “platform for the future,” Jeff Koons announced at yesterday’s press conference at the Whitney. What that means is anyone’s guess, but he followed that up by explaining that he’s 59 and hopes to be making art for at least another three decades. In short, while this may be his first New York […]
There are so many strange, disconcerting aspects to Jeff Koons, his art and his career that it is hard to quite know how to approach his first New York retrospective, the Whitney Museum of American Art’s largest survey devoted to a single artist. First there are the notorious sex pictures from his “Made in Heaven” […]
BASEL, Switzerland — Art Basel, the world’s pre-eminent fair devoted to modern and contemporary works, opened its doors to V.I.P.s on Tuesday. But by then plenty of business had already been done by many of the 285 exhibiting dealers. Hundreds of thousands of digital images had been emailed to collectors, advisers and curators, giving them […]
Midway through the Whitney Museum’s Jeff Koons retrospective, you come upon “Banality.” The series, unveiled in 1988 at three galleries concurrently (Sonnabend in New York, Donald Young in Chicago, and Max Hetzler in Cologne), made Koons the neo-Pop god that he is today. It consists of a series of man-sized kitsch figurines. “In my ‘Banality’ series I started […]
In “Selfie Poetics,” Andrew Durbin considers the recent rise of the selfie and poetics in the art world, rethinking how artist-poets self-image through language on the Internet. Against coherency, selfie poetics not only disrupt traditional notions of the poetic, they revise our definition of the self-portrait, too, reimagining our destabilized subjectivity as critically dependent on […]
Everything about the Jeff Koons retrospective at the Whitney Museum of American Art is over-the-top. That includes the press-conference-cum-love-in that opened Tuesday’s media preview, during which museum director Adam Weinberg whipped himself into a subdued but hyperbolic frenzy, rhapsodizing about how Koons’s artistic career had a partial genesis in a 1974 Jim Nutt exhibition Jeff saw, age […]