Tate Modern’s retrospective of Mona Hatoum spans the artist’s 35-year career, and she has made a lot of art. Hatoum’s works mine geopolitics, gender, art history, and her own past to reveal a world that is frightening and complex. Hatoum’s practice is layered and asks for contemplation. By abstracting the everyday, objects are made distressing, […]
The first blue pigment to hold its color was often prized over gold. The semi-precious stone lapis lazuli was ground into an iridescent pigment, sometimes called ultramarine, that seemed to shine when applied to the canvas. The first known use of it as a pigment goes back to 6th and 7th century BCE wall paintings in Bamiyan, Afghanistan, the country where […]
Aperture Magazine‘s first issue dedicated to African American lives as represented by the medium of photography, “Vision & Justice,” was published last month. It doesn’t seem right to call this issue a magazine. It is a powerhouse book; it does so much heavy lifting. The artists involved include Dawoud Bey, Carrie Mae Weems, Lorna Simpson, […]
LONDON — The day began in the Turbine Hall, the 85-foot-tall atrium at the heart of Tate Modern, the most visited museum of modern and contemporary art in the world. If the museum functions like a medieval cathedral — as the Lord Browne of Madingley, chairman of Tate’s Board of Trustees, suggested in a packet […]
Google Cultural Institute recently revealed that it has engineered the creatively named Google Art Camera: a custom-built camera intended to capture “ultra-high resolution ‘gigapixel’ images” of artworks in museums around the world. It also sharedabout 1,000 of these photographs online that allow anyone with internet access to zoom in closely to examine the originals — or rather, representations of the originals — […]
There’s never a shortage of mega-art in Chelsea: a stroll one morning this week encountered such gallery-filling works as Jordan Wolfson’s deranged, chain-operated marionette (“Colored sculpture,” 2016) at David Zwirner and Anish Kapoor’s mammoth, packed-earth “She Wolf” (2016) at Gladstone. And then there’s Richard Serra, whose double-gallery blowout at Gagosian is Exhibit A for material-intensity-meets-overwhelming-scale. […]
Do words limit our experience of a given artwork? Gustave Flaubert believed that, “Explaining one artistic form by means of another is a monstrosity.” Art critic John Bergerwrote: “When words are applied to visual art, both lose precision.” And what if the words are in the art? Expressed by the artist herself? From Cubism to […]
What kind of person opens a private contemporary art museum? According to a new reportby the art collector database Larry’s List and the Chinese art market site Artron, he’s probably in his 60s or his 70s; he’s probably from South Korea, the US, or Germany; he probably founded his museum in the last 15 years; and he’s most […]
“Our vision of America is so shaped by television and movies. All we see are Hollywood starlets and New York cops. We sometimes forget that there are whole other lives being lived in the middle of America. And some of these lives are really inspiring.” —Alec Soth, as told to SeeSaw Magazine in 2004
DENVER — The current exhibition at the Clyfford Still Museum (CSM), Repeat/Recreate, has been on the institution’s wish list for nearly 10 years, since well before it even opened. The museum controls 94% of Clyfford Still’s life’s work, yet the show required 12 lenders to gather pairs and triplicates for their first public display together. The result […]
Painter finally set to take his place alongside Rothko, Pollock and other abstract expressionist pioneers. Following his death in 1980 all the works by Abstract Expressionist painter Clyfford Still that had not previously been shown or exhibited were immediately put into storage and sealed off from public view. They have remained under lock and key […]
A lion with a blue-plumed pirate hat, an obsidian nude with her face blacked out, a mysterious rider on horseback — the settings and characters in Peter Doig’s newest paintings, now on view at Michael Werner Gallery, are at once strange and somehow totally familiar, like scenes from myths or dreams. Some recall hypnagogic states, fragments […]
You have limited time, but you need to know where to go. Don’t worry, we’ve got you covered. Here’s Hyperallergic’s take on what to expect in Miami.
The wait is over. After a 15-month delay, ballooning costs, and lawsuits, the Broad Museum is finally set to open this Sunday in downtown Los Angeles. The new 120,000 square foot institution houses the postwar and contemporary art collection of Eli and Edythe Broad. For the past four decades, the couple has had an outsized […]
BAC’s last posting re the Seattle Art Fair … Seattle has suffered an inferiority complex and craved a place at the international — or even national — art world table for as long as I’ve been here, and both Seattle Art Fair and Out of Sight stepped up, with remarkable esprit, to finally do something […]
Early last March, London’s Conservative mayor Boris Johnson unveiled Hans Haacke’s “Gift Horse,” the tenth commission installed on Trafalgar Square’s Fourth Plinth. Described on the Greater London Authority’s website as a rumination on the “link[s] between power, money, and history,” “Gift Horse” consists of a bronze horse skeleton and a live electronic ticker of the […]
PARIS — Georges Bataille, in The Accursed Share, said that if the Marquis de Sade had not existed, he would have had to been invented. But probably one of the biggest badasses of all time did exist. And, as if to prove it, on the bicentenary of the death of the “divine marquis” (Donatien Alphonse de […]
While other art publications sing the praises of the rich and powerful, we like to look at those who are largely overlooked (or worse, exploited) in order to understand the real state of the art world and its discontents. So, here you have our annual assessment of those below the most powerful. And yes, we’ve finally unhitched […]
From the outset of his career, Puryear refused to give up what he knew and studied in order to align his work with the prevailing aesthetic. Some people believe they should do whatever it takes to fit in, while others accept that they will never fit in and do not try. There is the assimilationist […]
Quotes from Richard Serra: “Art is not democratic. It is not for the people.” “My sculptures are not objects for the viewer to stop and stare at. The historical purpose of placing sculpture on a pedestal was to establish a separation between the sculpture and the viewer. I am interested in creating a behavioral space […]