The Armory’s 55,000-square-foot central room must make artists who are commissioned to create work there break out in night sweats. Creed’s principal intervention in it, Shutters Opening and Closing (2016), is sure to make them jealous. The darkened hall is nearly empty. The rolling garage door at the back of the space, which looks out […]
Although he can come across as almost pathologically ill at ease and underprepared, the artist is clearly not lacking in confidence. The Armory’s largest space is its drill hall, which actually earns the overused adjective cavernous. Instead of cluttering it with whimsies, Creed has installed a single huge projection of a new work: a music-video-slick […]
“It’s pretty remarkable the armory is letting us do this,” observed Mr. Eccles, who assembled the exhibition in partnership with Hans-Ulrich Obrist, artistic director of the Serpentine Galleries in London. Actually, the exhibition is in the spirit of earlier armory shows spotlighting off-center artists like Paul McCarthy and Christian Boltanski — both of which Mr. […]
Photographed, then subsequently thrown away, by Alfred Stieglitz, urinated on by Brian Eno and sometimes cited as the work of a Bauhaus baroness rather than the man it is most commonly associated with, Marcel Duchamp’s Fountain is arguably the first piece of conceptual art ever, certainly the most famous ready made in art history, and has inspired […]
I meet Martin Creed more than a week before his retrospective What’s the point of it? opens at the Hayward. The gallery is full of 25 years’ worth of improbable, witty, uplifting art; I am especially gladdened by a wall covered in 1,000 prints of broccoli. But the show is not ready yet: the atmosphere […]
In January 1957 the 23-year-old aristocratic Italian artist Piero Manzoni visited an exhibition of Yves Klein’s blue paintings at Galleria Apollinaire in Milan. Manzoni had been a fairly conventional painter up until this visit. Yet, Klein’s display of canvas after canvas of unfaltering blue altered the way the young Italian saw and made art. If […]
After entering a system as powerful and monied as the higher echelons of the art world, how do we gauge the threshold between subversion and endorsement? On the one hand, the biggest beneficiaries of FIVE DECADES seem to have little relationship to or even awareness of the social justice movements and protests that have defined […]
A new book on the movement draws lessons on the dangers of eclecticism. In the final chapter of the art historian Maria Stavrinaki’s new book, Dada Presentism, she imagines the origin of Dada as an immaculate conception. “Who, in fact, did invent Dada?” she asks. “Everyone and no one.” Amidst the devastation of the First […]
A man paints with his brains and not with his hands – Michelangelo An artist is somebody who produces things that people don’t need to have – Andy Warhol Art is anything you can get away with – Marshall McLuhan A collector has one of three motives for collecting: a genuine love of art, the investment possibilities, or its […]
In one epic exhibition, the Vancouver Art Gallery explores the history of the remix, from Marcel Duchamp to Danger Mouse. For the epic exhibition “MashUp: The Birth of Modern Culture,” on view through June 12 at the Vancouver Art Gallery, the word [Mash-UP] has been wisely adopted to cover all the “mixing, blending and reconfiguration […]
Do words limit our experience of a given artwork? Gustave Flaubert believed that, “Explaining one artistic form by means of another is a monstrosity.” Art critic John Bergerwrote: “When words are applied to visual art, both lose precision.” And what if the words are in the art? Expressed by the artist herself? From Cubism to […]
Working across a wide range of media, French artist Philippe Parreno came to prominence during the 1990s and is known both for his collaborative approach to artmaking (with artists such as Liam Gillick, Douglas Gordon and Tino Sehgal) and for treating exhibitions as objects or artworks in themselves, rather than as a collection of discrete […]
Philippe Parreno is one of the most significant French artists of the past two decades. Throughout his work, which includes film, video, sound and writing and drawing, the artist has always explored the borders between reality and its representation utilizing the vocabulary and means typically associated with a variety of media such as radio, television, […]
100 years ago today, on February 5, 1916, the now-legendary Cabaret Voltaire—the artist hangout that gave birth to the Dada movement—was opened in Zurich. Dada—which advocated coincidence as a leading creative principle—deliberately contravened all known and traditional artistic styles at the time. It was championed by Hugo Ball, Tristan Tzara, Richard Huelsenbeck, Hans Arp, Sophie Taeuber-Arp, […]
Did anyone catch the Guerrilla Girls’ brief appearance on The Late Show with Stephen Colbert? Masked members of the anonymous feminist art collective gave a short introduction to what they do, and gave some really good answers as to why we should care about what museums collect. When Colbert asked about the important of even noticing […]
Any exhibition of older art drawn from a museum’s permanent collection is a palm held out for us to read, a snapshot of the museum’s sense of its role over time, its present ambitions and its view of art history. Place two such exhibitions side by side and an especially intense and revealing frisson can […]
When Marcel Duchamp made his “Fountain” by elevating a men’s room fixture to a plinth in a gallery, he encouraged artists to consider the selection of non-art goods as part of the creative act. The gesture may not look as radical a century on, but it continues to inspire; today, you might walk into a […]
Appropriation art or the art of appropriation is is the use of pre-existing objects or images with little or no transformation applied to them. It follows in the spirit of Marcel Duchamp’s Readymades. The use of appropriation has played a significant role in art throughout the 20th century and has continued as a valid art […]
It is not surprising to learn that the Los Angeles-based artist Liz Glynn studied environmental studies at Harvard before pursuing a master’s degree at the California Institute of the Arts. Indeed, her multidisciplinary sculptures, installations and performances—which often employ found items and materials—seem to suggest the redemptive power of salvage, and are marked by an […]
On Monday morning, the artist Jeff Koons stood in Gagosian Gallery’s West 21st Street location in Chelsea, discussing his new show at the space with a small gathering of reporters. The exhibition features work from his “Gazing Ball” series. For the show, Koons has placed blue reflective spheres on small shelves in front of very […]