For weeks I’d been telling myself, and anyone who would listen, that I was going to skip the 2014 edition of Art Basel Miami Beach. It had been a busy fall. October’s Frieze London fair is at least on my home turf, but then there were whirlwind trips to Paris, for FIAC, and New York, for […]
Cubism is famous for its difficulty, and the fact that in the early years of its development, Picasso and Braque treated it as a secret, denying its existence to outsiders. It’s very brown, it’s visually severe, it’s hard to enter. What, exactly, was Cubism? I think Cubism has been seen as an intellectual art form […]
A brilliant painter derailed by an unfortunate obsession. There’s no escaping it; Hat Stand, 1969, is a beastly object. The blank-faced mannequin is too literal to succeed as a sculpture, and the conceit is too nasty to be ignored. Her position – holding up her hands to receive our hats – recalls the torture meted […]
Zoe Williams goes among the women as fetish furniture at the RA’s new show to find out. I find it very difficult to have an authentic response to work that has generated a lot of controversy in the past. My inner contrarian harasses me to disagree with the orthodoxy. So I was all set to […]
There are many sides to the work of the German artist Anselm Kiefer. Those lucky enough to visit his studio complex at Barjac in the South of France encounter a staggering array of installations, underground tunnels, and tottering concrete towers resembling some contemporary equivalent to the fortifications of medieval Tuscany. But wisely, the Royal Academy […]
Anselm Kiefer in Conversation before Kiefer’s major retrospective at the Royal Academy in London, with the new Director of the RA, Tim Marlow. This is only the third time that one artist has taken over the whole of the Royal Academy, the other two being David Hockney and Anish Kapoor – we can’t wait to […]
Irving Sandler is an artists’ art historian. In contrast to other prominent midcentury art critics—like the New York Times’s John Canaday, who warned him against fraternizing with artists for fear of impairing his critical distance—Sandler purposefully immersed himself in his subjects’ milieu, first in his days as a young reviewer for Artnews and later as […]
Kiefer uses a vast panoply of materials in his art, each of which have intricate symbolic meanings. Studiously parsed, they trigger a kind of spiritual-historical giddiness. There is the straw, for instance, that symbolises the hair of the German prison guard Margarethe in Paul Celan’s poem “Death Fugue.” There are the seven flames that represent […]
This year’s Turner Prize shortlisted artists are hooked on materiality. Not some slick, seamless production-value fetishism geared for maximum visible impact, but almost the exact opposite—a thoughtful, often overly self-conscious, politically inflected take on materials and media, on production and reproduction, in which the frictionless transparency of images is jammed by the clunky inertia of […]
Robert Gober’s retrospective “The Heart Is Not A Metaphor,” which opens on October 4 at the Museum of Modern Art in New York, is a strange and moving survey of domestic unease, seemingly pointless labor, and creeping horror, among other things. You enter the exhibition past a pair of very different works: “X Pipe Playpen,” […]
Has the Turner prize lost its power to shock? No – thanks to James Richards’s sphincter shots. But it’s Tris Vonna-Michell’s spellbinding spoken-word travelogues that deserve to win. What a heartening way to celebrate 30 years of the Turner prize. People are always saying the Turner, which shocked the nation with Tracey Emin’s unmade bed […]
Royal Academy, London Anselm Kiefer’s monumental work in ash, straw, diamonds and sunflowers dazzles in a superb retrospective. Only with the help of a blindfold would you be able to wander theRoyal Academy’s stupendous retrospective of his work and leave feeling anything less than drunk with amazement. However much you know about Kiefer, it’s impossible […]
Born in Germany as the Nazis fell, Anselm Kiefer’s back catalogue is an astonishing look at the awful burden of history. Anselm Kiefer was born in Germany in 1945. A new life can rarely have started in a less promising place and time. To enter the world as the Third Reich fell was to be […]
Kiefer’s range seems limitless: the courtyard entrance to the Royal Academy will be dominated by his first ever vitrines for outdoor display, one containing ships, as it were, beached, the other with vessels afloat. The sunflowers are over for another year: the confident golden heads have drooped, their sunny countenances giving way to a black […]
The great German artist hits history and the Holocaust head on in works that are liberating, moving and defiantly dark. The show spans 40 years, from the scandalous series Heroic Symbols, in which he used the Nazi salute illegally, to giant works that took him over a decade to paint. Go look!
Steampunk shipping containers, planes full of sunflowers and triptychs the size of squash courts – Michael Prodger visits the place that’s produced some of the most extraordinary artworks of the last century. Anselm Kiefer is a bewildering artist to get to grips with. The word that comes up most often when his work is discussed is […]
With his trademark style, Robert Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. The video […]
When 16,000 dead pigs floated down a river in Shanghai last year, it inspired a lot of questions about China’s environmental conditions and a lot of disgust. Now, those pigs have helped inspire an arresting exhibit at Shanghai’s contemporary art museum, the Power Station of Art. The solo show, called The Ninth Wave, opened this […]
Although Meyer Schapiro (1904-1996) was one of the most influential art historians of the 20th century, his legacy is hard to quantify. He was a professor at Columbia University from 1928 until his death; he also lectured at New York University in the early 1930s and thereafter at the New School. For an academic, Schapiro had a uniquely extensive reach through his […]
Untouched since the day she died, Louise Bourgeois’ New York home-cum-studio offers an intimate portrait of the artist. At 13ft wide, the townhouse in New York that was both home and studio to Louise Bourgeois is almost as tiny as the artist herself. It was here, on the site of an old apple orchard, half […]