Let’s cut to the chase: the Whitney Museum of American Art’s inaugural show in its new home in the Meatpacking District, “America Is Hard to See,” is outstanding. With about 600 works by a little over 400 artists, it offers a history of American art—and America—that is richly textured and that teems with beloved classics […]
From outside, Renzo Piano’s new Whitney Museum of American Art, set beside the Hudson River, has the bulk of an oil tanker’s hull. Inside is entirely different. The galleries, with high ceilings, tall windows and soft pine-plank floors, are as airy and light-flooded as the 19th-century sailmaker’s lofts known to Herman Melville, who worked as […]
For a newcomer, the art world can often feel like a social minefield, booby-trapped so that as soon as you start to make progress in establishing a name for yourself, you screw it up with a big-time blunder. Luckily, we’ve got you covered on how to navigate everything from an open bar to a Twitter […]
The Whitney Museum of American Art’s Meatpacking District museum, opening May 1, is fiercely awaited. In its new building, designed by Renzo Piano, the galleries and sculpture gardens will nearly double the museum’s previous exhibition space, with two floors devoted to showing off its collection. The museum expects to take in spillover from the millions of yearly […]
You do need to know some art history. As a producer of art objects/gestures, the conventions you decide to ignore and the conventions you decide to repeat are as important, if not more so, than what you invent. If you’re a total novice start with Cubism to Surrealism and then study 1945–75, then take it from […]
New York artist Jamian Juliano-Villani is being accused by another artist of having sticky fingers. Brooklyn’s Scott Teplin sees too much similarity between a small painting by Juliano-Villani, now on view at West Village gallery Gavin Brown’s Enterprise, and a painting of his own. Juliano-Villani explained her thinking in a Facebook comment: It’s important to […]
Gates made his name by staging soul food dinners in honour of a fictional Japanese potter. Now he is recycling the fabric of Chicago’s past, including its bricks and mortar, to transform the city’s depressed areas. In 2007 Theaster Gates held a series of soul food dinners on Chicago’s South Side to honour his mentor, […]
JOHN NEWSOM: So, how did you discover art? What was your ‘eureka’ moment? PATRICK PAINTER: Well, when I was 28, I was living in Paris, and I was working for an insurance company, Metropolitan Life. One day I said to myself, “I don’t know anything about art, so I’m gonna start looking at art.” It’s […]
Seven years ago, Marlene Dumas briefly became the world’s most expensive living female artist, a dizzying upward move that was reported, somewhat breathlessly, in newspapers from New York to Tokyo (her 1995 paintingThe Visitor was sold by Sotheby’s for £3.1m; previously, her prices had stood at around the £50,000 mark). Yet her name remains, here and […]
Don’t attend the show seeking easy joys. Few are on offer in the work of the thirteen Americans, three Germans, and one Colombian—nine women and eight men—and those to be found come freighted with rankling self-consciousness or, here and there, a nonchalance that verges on contempt. The ruling insight that Hoptman proposes and the artists […]
PARIS — Georges Bataille, in The Accursed Share, said that if the Marquis de Sade had not existed, he would have had to been invented. But probably one of the biggest badasses of all time did exist. And, as if to prove it, on the bicentenary of the death of the “divine marquis” (Donatien Alphonse de […]
From Anselm Kiefer’s rotting sunflowers to a rollicking super-show all over Scotland, via Rembrandt, Matisse, Andy Warhol and Egon Schiele … it was an eye-opening year. From the rusty submarines hanging in a vitrine in the courtyard to bookworks in which photographs and black paint created eerie provocative assemblages, Anselm Kiefer’s retrospective rocked me. In […]
Putting aside any petty concerns for bridges burned, here’s an incomplete list of the most despicable moments in 2014’s art world, as viewed by Scott Indrisek of Blouin Artinfo.com. From from candy factories to soggy concerts, there are two sides to every story, right?
Unease grows as it gets harder for artists to resist servicing a booming market The art market appeared to be in rude health as 2014 drew to a close. More money was spent on blue-chip and emerging art last year than at any other point in history, and the trade has been in rapid expansion […]
2014 has been a year of increasing disruption in the art market. While its vastly increased value over the past ten years (€47.4bn in 2013 compared to €18.6bn in 2003, according to the latest Tefaf report by Clare McAndrew) has inevitably brought change, 2014 has seen those changes magnified and evolving in directions that were not […]
This year hasn’t even come to an end. Yet, intrepid gallerists and collectors are no doubt already pulling out their calendars to mark out the fair circuit for the year 2015. To help weed out the best from the rest, artnet News’ European editors sorted through the stacks of notes and reports from the year’s fairs […]
To meet the needs of the season, a list follows below of some of the most popular stories that ran on the ARTnews website in 2014, ranging from artist profiles and investigative stories to on-the-ground art-fair coverage and breaking news. They are divided by month, and presented in no particular order. Lots here to read, to get ready for 2015.
While other art publications sing the praises of the rich and powerful, we like to look at those who are largely overlooked (or worse, exploited) in order to understand the real state of the art world and its discontents. So, here you have our annual assessment of those below the most powerful. And yes, we’ve finally unhitched […]
The year hasn’t been short of blockbuster surveys and brilliantly curated displays, as well as smaller, more focused surveys that have been unjustly overlooked but which have proved quietly groundbreaking in their own way. The best exhibitions, which are not, of course, always the ones with the biggest fanfare, nor even the best loans, usually […]
Caravaggio, Bruegel and Van Gogh all made studies of the poor in spite of rich patronage. Why aren’t more artists doing that now? Art has a long history of entertaining the rich. From ancient artisans who made gold drinking cups for kings, to the artists of today who sell installations to plutocrats, art has been a […]