The innovative, iconoclastic curator Walter Hopps (1932-2005) was one of the most influential figures in mid-to-late-twentieth-century American art. He founded his first gallery in L.A. at the age of twenty-one and, at twenty-four, opened the Ferus Gallery with the artist Ed Kienholz, where they turned the spotlight on a new generation of West Coast artists. […]
Each year, artnet News rounds up the art world’s top-performing artists at auction, across categories. But as the 2016 results come in from the first half of auction season, not much has changed since we last mined theartnet Price Database to identify the most expensive living American artists of 2015—which isn’t a good thing. Similar to […]
If a collector wanted to buy a Frank Stella at Art Basel Miami Beach last December, he could have walked up to the booth of New York’s Marianne Boesky Gallery, which represents Frank Stella. Or, he could have walked up to the booth of London and New York gallery Dominique Lévy, which also represents Frank Stella. […]
America’s preëminent museum finally embraces contemporary art. Gertrude Stein’s famous remark that “you can be a museum or you can be modern, but you can’t be both” sounds archaic today. Every self-respecting urban center has its museum of modern art, and climate-change-denying business leaders will spend lavishly to get their name on its walls. The […]
Art is a self-starting, entrepreneurial activity, and what is true of entrepreneurs in general is perhaps true of artists. “[T]he most common shared trait among entrepreneurs is access to financial capital—family money, an inheritance, or a pedigree and connections that allow for access to financial stability….,” Quartz recently explained, debunking the cult of the entrepreneur as visionary risk-taker. “When […]
A towering figure of the postwar era, Ellsworth Kelly charted a singular and often solitary artistic path. He ventured to Europe twice—first as a camoufleur for the Ghost Army during World War II, then as a questing painter on the G.I. Bill—and brought back a bright and lively new style of American painting, seductive in […]
Although it may seem strange to devote a year-end roundup to the subject of atemporality, 2015 found the art world in a state of chronological confusion. The year began, so to speak, in December of 2014 when the Museum of Modern Art opened “The Forever Now: Contemporary Painting in an Atemporal World,” which ran through […]
The contemporary art market settled down to a steadier pace at Sotheby’s New York Wednesday evening, turning in a solid and respectable $294,850,000 sale for the 44 lots that sold. Ten of the 54 lots offered failed to sell for a trim buy-in rate by lot of 18.5 percent. Five works sold for more than $15 […]
From the outset of his career, Puryear refused to give up what he knew and studied in order to align his work with the prevailing aesthetic. Some people believe they should do whatever it takes to fit in, while others accept that they will never fit in and do not try. There is the assimilationist […]
Quotes from Richard Serra: “Art is not democratic. It is not for the people.” “My sculptures are not objects for the viewer to stop and stare at. The historical purpose of placing sculpture on a pedestal was to establish a separation between the sculpture and the viewer. I am interested in creating a behavioral space […]
As a business model, the art gallery occupies a unique position. Functioning as the bridge between art’s existence as a commercial enterprise and its role as a philosophical pursuit, a gallery, unlike other businesses, has a measure of success that is completely divorced from its financial earnings: by championing important artists, and putting on daring […]
Carl Andre is credited with changing the history of sculpture. Now nearly 80, Andre once scrounged industrial materials — timber, bricks, squares and ingots of metal — and arranged them on the floor. No pedestals, no joints and no altering of the surfaces. In 1970, the Guggenheim Museum in Manhattan gave the young artist a […]
A year away from opening, the new home of the Whitney Museum of American Art is still a construction site, but it is already a vivid presence in Manhattan’s meatpacking district, and curators have mapped out months’ worth of exhibitions there. The first show to go on view next spring — an opening date has […]
2017 will mark the 100th anniversary of the day Marcel Duchamp walked into the Society of Independent Artists lugging a porcelain urinal he had purchased at 5th Avenue’s J. L. Mott Iron Works and submitted it as a “readymade” sculpture. Duchamp’s radical and audacious gesture was met, at the time, with shock and indignation—it was literally hidden away behind a screen during the […]