Less than a week after President Trump signed an executive order banning citizens of seven majority-Muslim countries from entering the United States, the Museum of Modern Art in New York has responded by installing a dozen works by artists from those countries, including the late Iraqi-born architect Zaha Hadid, the Sudanese master Ibrahim El-Salahi, and the young Iranian […]
While 2016 may have been pretty awful on any number of fronts, we have to admit that it also gave us a lot of pretty great art. Consider Maurizio Cattelan alone, who gave us a solid gold toilet to relieve ourselves on at New York’s Guggenheim Museum, a real life donkey, pooping in the tent […]
Barely a month goes by without the launch of an online initiative that aims to disrupt the art market and bring the “Uber and Airbnb effect” to art transactions. But witness the crowds pacing the aisles at a big-league art fair, or spilling out of the salesrooms during the evening auctions, and the impact of […]
For the second consecutive year, artnet News set out to identify 10 players who are disrupting the status quo. This year’s edition, like last year’s, is a “subjective, non-comprehensive list of colleagues who have changed the shape of the American art world,” as Brian Boucher writes. Even still, game changers are necessary to any industry—especially the art world. From artists […]
Every age gets the kind of gallery it deserves. In August of 2015, ex-gallerist, private dealer, art fair director, and author Ed Winkleman published his second book on contemporary art galleries in six years. Titled Selling Contemporary Art: How to Navigate the Evolving Market(Allworth Press), the book provides what an Amazon online review calls an […]
What is clear is that Gander’s become a powerhouse, with his works intriguing and baffling people in major shows throughout the world, and all this has made him something of a lodestar to young artists in England, a group he also supports by setting up art schools around the country. Among Gander’s works is This Consequence (2005), where […]
At Kukje Gallery, three formidable, twisted mirrored columns display warped visions. “It’s a stupid, simple idea, but it does something—it becomes something else,” said Kapoor, by way of introducing the latest additions to his “Non Objects” series, which are the centerpiece of the current show. He was referring to the 90-degree twist, which transforms mundane columns into strangely unknowable objects […]
If Martin Creed had been alive in Medieval Europe, it is easy to imagine him as an admired court jester, entertaining the royals with dashes of absurdity while at the same time speaking truth to power, gingerly prodding the monarch. Creed delights in tweaking, and even flouting, convention. He hatches harebrained schemes—usually just single, simple […]
In May, the painter Carmen Herrera surveyed her first US solo show in a decade at New York’s Lisson Gallery and wept with joy. She had ample reason to. Besides being represented by one of the world’s most important galleries, she had canvases on view in the permanent collections of the Museum of Modern Art, the […]
Has much changed since Marcel Duchamp’s Fountain? The art world is no stranger to the gasp-inducing project or performance: in fact, it seems at times to thrive on it. In these dog days of summer, when the art world slows down and the tumbleweeds approach Chelsea, we’re excited to hear that provocative exhibitions are still […]
Each year, artnet News rounds up the art world’s top-performing artists at auction, across categories. But as the 2016 results come in from the first half of auction season, not much has changed since we last mined theartnet Price Database to identify the most expensive living American artists of 2015—which isn’t a good thing. Similar to […]
artnet News picks the top of the crop in the UK.
From Athens to Zurich, here are the European galleries. Part 1
From Athens to Zurich, here are the some of the best European galleries. Part 2
Last week, there were two major events relating to Francis Bacon and, on this occasion at least, they didn’t have anything to do with the artist’s record-breaking market, but with a renewed and in-depth understanding of his fascinating oeuvre and artistic process. On June 30, the Francis Bacon Estate published a new catalogue raisonné, presenting […]
The Armory’s 55,000-square-foot central room must make artists who are commissioned to create work there break out in night sweats. Creed’s principal intervention in it, Shutters Opening and Closing (2016), is sure to make them jealous. The darkened hall is nearly empty. The rolling garage door at the back of the space, which looks out […]
David Shrigley the Turner Prize nominated artist unveils his new commission for the Fourth Plinth titled, ‘Really Good‘ on Thursday 29 September 2016. The work was commissioned by the Mayor of London as part of the Fourth Plinth Programme, Really Good is the eleventh sculpture to stand on Trafalgar Square’s celebrated plinth, and will be the first major public art commission to […]
This year’s Met Gala saw many of its high-profile attendees looking like cyborgs as its theme, Manus x Machina, commented on the growing influence of tech on the fashion world. But the impact of electronic media and technology on contemporary life is also being reflected in the art world. Over the past few years there […]
Jordan Wolfson’s art delights me a little—which may be a strange thing to say for an artist whose most recent installation centers on a human-like robot being brutally tortured for the entertainment of its spectators. But Wolfson (b. 1980) delights me because I have this hypothesis that contemporary art—one of its strands, at least, particularly the […]
Iconoclastic American artist Richard Serra launched an exhibition of his latest steel behemoths at Gagosian Gallery in New York this past Saturday, featuring four new works: Above Below Betwixt Between,Every Which Way, Silence (for John Cage), and Through. It’s the thirtieth big show at the gallery for the artist, who splits his time between New York and Nova Scotia. Suffice it to say, the […]