Can an Art Fair Be a Political Act? Roman Dealer Paola Capata on Making Granpalazzo the World’s Most “Italian” Fair

Located in the 16th-century Palazzo Rospigliosi in the rustic country village of Zagarolo, a short drive outside of Rome,  Granpalazzo is unlike any art fair you’ve seen before. Instead of traditional booths, there are curated presentations of individual artists, elegantly spaced throughout the historic building. The walls are covered with historic frescos, the conversation is […]

David Shrigley Fourth Plinth Unveiling Announced By Sadiq Khan’s Office

David Shrigley the Turner Prize nominated artist unveils his new commission for the Fourth Plinth titled, ‘Really Good‘ on Thursday 29 September 2016. The work was commissioned by the Mayor of London as part of the Fourth Plinth Programme, Really Good is the eleventh sculpture to stand on Trafalgar Square’s celebrated plinth, and will be the first major public art commission to […]

Kienholz’s Five Car Stud goes back on view in Milan

For nearly 40 years, Ed Kienholz’s Five Car Stud (1969-72), a dark installation depicting a brutal racist attack, lay hidden away in storage in Japan. It is now on public view in Milan at the Fondazione Prada, which acquired the work in 2012, soon after it was restored by the artist’s widow and collaborator Nancy […]

See the 6 Most Haunting Humanoids in Art

This year’s Met Gala saw many of its high-profile attendees looking like cyborgs as its theme, Manus x Machina, commented on the growing influence of tech on the fashion world. But the impact of electronic media and technology on contemporary life is also being reflected in the art world. Over the past few years there […]

David Hammons at Mnuchin Gallery: Sellout, or Seer?

After entering a system as powerful and monied as the higher echelons of the art world, how do we gauge the threshold between subversion and endorsement? On the one hand, the biggest beneficiaries of FIVE DECADES seem to have little relationship to or even awareness of the social justice movements and protests that have defined […]

Martin Creed @ Hauser & Wirth’s Somerset Gallery

Immaculate in a grey suit, Martin Creed strides towards me in the car park at Durslade Farm, home of Hauser & Wirth’s Somerset gallery. He could be a businessman out on his lunch break on a spring day. Then I notice the spatters and whiplashes of paint all over his clothes, the splodges of colour […]

Can a Giant New Museum Make San Francisco an Art Capital?

If you build it, they will come. Or that’s what the board at the San Francisco Museum of Art is betting on. This week, the 81-year-old institution opens its doors after a three-year renovation, gifting the West Coast with a world-class collection that would make MoMA blush. Sure, you can see Richard Serra in New […]

American Beauty: Jasper Johns, Robert Rauschenberg, and the Case of the Missing Flag

Robert Rauschenberg kept only one major example of his earliest, most influential body of work, the Combine paintings he made between 1954 and 1961. Short Circuit (1955) is similar to other works from the period; it incorporates sculptural elements with both painting and drawing and combines abstraction with images and objects plucked from the young […]

Herzog and De Meuron: Tate Modern’s architects on their radical new extension

Jacques Herzog, the more talkative half of the pair of boyhood friends who founded the architectural practice Herzog & De Meuron, is worried about the world. “The things based on the five senses that we like so much, all these values – that we treat people well. They are in danger. There is such a […]

Lessons in Gigantism: Richard Serra Makes It Work

There’s never a shortage of mega-art in Chelsea: a stroll one morning this week encountered such gallery-filling works as Jordan Wolfson’s deranged, chain-operated marionette (“Colored sculpture,” 2016) at David Zwirner and Anish Kapoor’s mammoth, packed-earth “She Wolf” (2016) at Gladstone. And then there’s Richard Serra, whose double-gallery blowout at Gagosian is Exhibit A for material-intensity-meets-overwhelming-scale. […]

The false Gods of Dada: on Dada Presentism by Maria Stavrinaki

A new book on the movement draws lessons on the dangers of eclecticism. In the final chapter of the art historian Maria Stavrinaki’s new book, Dada Presentism, she imagines the origin of Dada as an immaculate conception. “Who, in fact, did invent Dada?” she asks. “Everyone and no one.” Amidst the devastation of the First […]

Antony Gormley, in Brooklyn Rail

Antony Gormley’s career spans thirty-five years, beginning with his first solo exhibition, at the Whitechapel Gallery in London, in 1981. With sculpture as a primary medium, Gormley’s work has explored the relationship of the human body to space and time, emphasizing the body as place rather than object. Gormley:  I think it’s very important to […]

Richard Serra’s Steel Behemoths Get Into Your Head

Richard Serra may have his ideological detractors, but he is certainly today’s greatest living sculptor of Minimalist abstraction. Exhibitions of new works occupying Gagosian Gallery’s two Chelsea display spaces find Mr. Serra at 76 still wrangling fundamentals of shape, space, gravity and time into objects and installations of thrilling severity. The most arresting piece at […]

Jordan Wolfson’s Creepy Robot Art Reboots Jeff Koons

Jordan Wolfson’s art delights me a little—which may be a strange thing to say for an artist whose most recent installation centers on a human-like robot being brutally tortured for the entertainment of its spectators. But Wolfson (b. 1980) delights me because I have this hypothesis that contemporary art—one of its strands, at least, particularly the […]

Collecting Contemporary Art

A man paints with his brains and not with his hands – Michelangelo An artist is somebody who produces things that people don’t need to have – Andy Warhol Art is anything you can get away with – Marshall McLuhan A collector has one of three motives for collecting: a genuine love of art, the investment possibilities, or its […]

Richard Serra’s 10 Most Expensive Artworks at Auction

Iconoclastic American artist Richard Serra launched an exhibition of his latest steel behemoths at Gagosian Gallery in New York this past Saturday, featuring four new works: Above Below Betwixt Between,Every Which Way, Silence (for John Cage), and Through. It’s the thirtieth big show at the gallery for the artist, who splits his time between New York and Nova Scotia. Suffice it to say, the […]

Unpacking the MASH-UP

In one epic exhibition, the Vancouver Art Gallery explores the history of the remix, from Marcel Duchamp to Danger Mouse. For the epic exhibition “MashUp: The Birth of Modern Culture,” on view through June 12 at the Vancouver Art Gallery, the word [Mash-UP] has been wisely adopted to cover all the “mixing, blending and reconfiguration […]

The Art of Larry Gagosian’s Empire

“CAN WE QUICKEN this up?” It’s lunchtime in New York and Larry Gagosian is hungry. It’s time for supper—or at least aperitifs—in Europe, where he recently did a three-week working tour of France, England, Germany and Switzerland, and it’s breakfast in Los Angeles, where last week he hosted his annual pre-Oscars opening at his Beverly […]

4 Ways Snøhetta’s SFMoMA Expansion Changes the Way You View Art

SAN FRANCISCO — Viewed head-on, the newly-expanded San Francisco Museum of Modern Art (SFMoMA) presents an odd progression of landmark architectural styles in no chronological order. First up is SFMoMA’s original home, a 1995 postmodernist red-brick building by the Swiss architect Mario Botta. Behind Botta is San Francisco’s very first skyscraper, Timothy Pflueger’s 1925 Art […]