If you are even a casual appreciator of art in New York, the chances are that you have stepped into one of Annabelle Selldorf’s spaces, and been entranced. Perhaps the most coveted architect among the minimalistically inclined art elite, Selldorf has designed a broad spectrum of the city’s art sites, from theNeue Galerie uptown, steeped […]
The drab free port zone near the Geneva city center, a compound of blocky gray and vanilla warehouses surrounded by train tracks, roads and a barbed-wire fence, looks like the kind of place where beauty goes to die. But within its walls, crated or sealed cheek by jowl in cramped storage vaults, are more than […]
Here are a few negative things you could say about Jordan Wolfson’s show: It’s dumb. It’s a spectacle. It’s loud. But you know what? This dumb, loud spectacle is one of the more thoughtful, oddly contemplative experiences you can have in Chelsea right now. During my visit the kinetic piece (titled, with sarcastic nonchalance, Colored sculpture) attracted […]
Among the shafts of luxury flats sprouting up along the south bank of the Thames, from Battersea to Bermondsey, there is one new tower unlike the others. It is made of brick, not glass, and stands as a squat, truncated pyramid, twisting as it rises. Punctured only by thin slit windows, Tate Modern’s new extension […]
In January 1957 the 23-year-old aristocratic Italian artist Piero Manzoni visited an exhibition of Yves Klein’s blue paintings at Galleria Apollinaire in Milan. Manzoni had been a fairly conventional painter up until this visit. Yet, Klein’s display of canvas after canvas of unfaltering blue altered the way the young Italian saw and made art. If […]
Located in the 16th-century Palazzo Rospigliosi in the rustic country village of Zagarolo, a short drive outside of Rome, Granpalazzo is unlike any art fair you’ve seen before. Instead of traditional booths, there are curated presentations of individual artists, elegantly spaced throughout the historic building. The walls are covered with historic frescos, the conversation is […]
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David Shrigley the Turner Prize nominated artist unveils his new commission for the Fourth Plinth titled, ‘Really Good‘ on Thursday 29 September 2016. The work was commissioned by the Mayor of London as part of the Fourth Plinth Programme, Really Good is the eleventh sculpture to stand on Trafalgar Square’s celebrated plinth, and will be the first major public art commission to […]
For nearly 40 years, Ed Kienholz’s Five Car Stud (1969-72), a dark installation depicting a brutal racist attack, lay hidden away in storage in Japan. It is now on public view in Milan at the Fondazione Prada, which acquired the work in 2012, soon after it was restored by the artist’s widow and collaborator Nancy […]
This year’s Met Gala saw many of its high-profile attendees looking like cyborgs as its theme, Manus x Machina, commented on the growing influence of tech on the fashion world. But the impact of electronic media and technology on contemporary life is also being reflected in the art world. Over the past few years there […]
After entering a system as powerful and monied as the higher echelons of the art world, how do we gauge the threshold between subversion and endorsement? On the one hand, the biggest beneficiaries of FIVE DECADES seem to have little relationship to or even awareness of the social justice movements and protests that have defined […]
Immaculate in a grey suit, Martin Creed strides towards me in the car park at Durslade Farm, home of Hauser & Wirth’s Somerset gallery. He could be a businessman out on his lunch break on a spring day. Then I notice the spatters and whiplashes of paint all over his clothes, the splodges of colour […]
Robert Rauschenberg kept only one major example of his earliest, most influential body of work, the Combine paintings he made between 1954 and 1961. Short Circuit (1955) is similar to other works from the period; it incorporates sculptural elements with both painting and drawing and combines abstraction with images and objects plucked from the young […]
There’s never a shortage of mega-art in Chelsea: a stroll one morning this week encountered such gallery-filling works as Jordan Wolfson’s deranged, chain-operated marionette (“Colored sculpture,” 2016) at David Zwirner and Anish Kapoor’s mammoth, packed-earth “She Wolf” (2016) at Gladstone. And then there’s Richard Serra, whose double-gallery blowout at Gagosian is Exhibit A for material-intensity-meets-overwhelming-scale. […]
Antony Gormley’s career spans thirty-five years, beginning with his first solo exhibition, at the Whitechapel Gallery in London, in 1981. With sculpture as a primary medium, Gormley’s work has explored the relationship of the human body to space and time, emphasizing the body as place rather than object. Gormley: I think it’s very important to […]
Richard Serra may have his ideological detractors, but he is certainly today’s greatest living sculptor of Minimalist abstraction. Exhibitions of new works occupying Gagosian Gallery’s two Chelsea display spaces find Mr. Serra at 76 still wrangling fundamentals of shape, space, gravity and time into objects and installations of thrilling severity. The most arresting piece at […]
Jordan Wolfson’s art delights me a little—which may be a strange thing to say for an artist whose most recent installation centers on a human-like robot being brutally tortured for the entertainment of its spectators. But Wolfson (b. 1980) delights me because I have this hypothesis that contemporary art—one of its strands, at least, particularly the […]
A man paints with his brains and not with his hands – Michelangelo An artist is somebody who produces things that people don’t need to have – Andy Warhol Art is anything you can get away with – Marshall McLuhan A collector has one of three motives for collecting: a genuine love of art, the investment possibilities, or its […]
Iconoclastic American artist Richard Serra launched an exhibition of his latest steel behemoths at Gagosian Gallery in New York this past Saturday, featuring four new works: Above Below Betwixt Between,Every Which Way, Silence (for John Cage), and Through. It’s the thirtieth big show at the gallery for the artist, who splits his time between New York and Nova Scotia. Suffice it to say, the […]
In one epic exhibition, the Vancouver Art Gallery explores the history of the remix, from Marcel Duchamp to Danger Mouse. For the epic exhibition “MashUp: The Birth of Modern Culture,” on view through June 12 at the Vancouver Art Gallery, the word [Mash-UP] has been wisely adopted to cover all the “mixing, blending and reconfiguration […]