From outside, Renzo Piano’s new Whitney Museum of American Art, set beside the Hudson River, has the bulk of an oil tanker’s hull. Inside is entirely different. The galleries, with high ceilings, tall windows and soft pine-plank floors, are as airy and light-flooded as the 19th-century sailmaker’s lofts known to Herman Melville, who worked as […]
For a newcomer, the art world can often feel like a social minefield, booby-trapped so that as soon as you start to make progress in establishing a name for yourself, you screw it up with a big-time blunder. Luckily, we’ve got you covered on how to navigate everything from an open bar to a Twitter […]
The Whitney Museum of American Art’s Meatpacking District museum, opening May 1, is fiercely awaited. In its new building, designed by Renzo Piano, the galleries and sculpture gardens will nearly double the museum’s previous exhibition space, with two floors devoted to showing off its collection. The museum expects to take in spillover from the millions of yearly […]
You do need to know some art history. As a producer of art objects/gestures, the conventions you decide to ignore and the conventions you decide to repeat are as important, if not more so, than what you invent. If you’re a total novice start with Cubism to Surrealism and then study 1945–75, then take it from […]
New York artist Jamian Juliano-Villani is being accused by another artist of having sticky fingers. Brooklyn’s Scott Teplin sees too much similarity between a small painting by Juliano-Villani, now on view at West Village gallery Gavin Brown’s Enterprise, and a painting of his own. Juliano-Villani explained her thinking in a Facebook comment: It’s important to […]
Don’t attend the show seeking easy joys. Few are on offer in the work of the thirteen Americans, three Germans, and one Colombian—nine women and eight men—and those to be found come freighted with rankling self-consciousness or, here and there, a nonchalance that verges on contempt. The ruling insight that Hoptman proposes and the artists […]
Unease grows as it gets harder for artists to resist servicing a booming market The art market appeared to be in rude health as 2014 drew to a close. More money was spent on blue-chip and emerging art last year than at any other point in history, and the trade has been in rapid expansion […]
2014 has been a year of increasing disruption in the art market. While its vastly increased value over the past ten years (€47.4bn in 2013 compared to €18.6bn in 2003, according to the latest Tefaf report by Clare McAndrew) has inevitably brought change, 2014 has seen those changes magnified and evolving in directions that were not […]
This year hasn’t even come to an end. Yet, intrepid gallerists and collectors are no doubt already pulling out their calendars to mark out the fair circuit for the year 2015. To help weed out the best from the rest, artnet News’ European editors sorted through the stacks of notes and reports from the year’s fairs […]
To meet the needs of the season, a list follows below of some of the most popular stories that ran on the ARTnews website in 2014, ranging from artist profiles and investigative stories to on-the-ground art-fair coverage and breaking news. They are divided by month, and presented in no particular order. Lots here to read, to get ready for 2015.
The year hasn’t been short of blockbuster surveys and brilliantly curated displays, as well as smaller, more focused surveys that have been unjustly overlooked but which have proved quietly groundbreaking in their own way. The best exhibitions, which are not, of course, always the ones with the biggest fanfare, nor even the best loans, usually […]
Anyone in need of a potent antidote to the feeding frenzy at Art Basel Miami Beach last week should head right now to Paula Cooper Gallery’s second-floor space at 521 West 21st Street in West Chelsea. On view there is a solo show by the German–born, New York–based artist Hans Haacke, whose six-decade career is […]
From the outset of his career, Puryear refused to give up what he knew and studied in order to align his work with the prevailing aesthetic. Some people believe they should do whatever it takes to fit in, while others accept that they will never fit in and do not try. There is the assimilationist […]
Quotes from Richard Serra: “Art is not democratic. It is not for the people.” “My sculptures are not objects for the viewer to stop and stare at. The historical purpose of placing sculpture on a pedestal was to establish a separation between the sculpture and the viewer. I am interested in creating a behavioral space […]
Irving Sandler is an artists’ art historian. In contrast to other prominent midcentury art critics—like the New York Times’s John Canaday, who warned him against fraternizing with artists for fear of impairing his critical distance—Sandler purposefully immersed himself in his subjects’ milieu, first in his days as a young reviewer for Artnews and later as […]
Robert Gober’s retrospective “The Heart Is Not A Metaphor,” which opens on October 4 at the Museum of Modern Art in New York, is a strange and moving survey of domestic unease, seemingly pointless labor, and creeping horror, among other things. You enter the exhibition past a pair of very different works: “X Pipe Playpen,” […]
Is an exhibition ever too beautiful for its own good? Jenny Holzer’s new show at Cheim & Read, Dust Paintings, is ravishing. But the sensuality of these text-based abstractions, done in oil on linen in mostly muted colors, runs counter to their content, which is derived from declassified government reports of brutalization and death during the […]
Its Wikipedia entry calls it “a short and violent movement,” and even compared with the aesthetic extremes of the 1960s, the unrelenting art of Vienna Actionism stands apart. After the passage of fifty years, the questions it raised about the limits and origins of art remain no less troubling or closer to resolution. The four […]
With his trademark style, Robert Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. The video […]
A holdover from the days of the French salon system, art awards provide distinguished organizations—museums, government bodies, corporations, philanthropic groups—with a way to honor the outstanding artistic talent of the day (and to burnish their own reputations in the process). With Grand Rapids’s headline-grabbing Artprize on the horizon, we’ve assembled a glossary of the world’s […]