Does Gagosian’s New Advisory Firm Create a Conflict of Interest?

Gallerists and art advisors suspect there could be ulterior motives to the industry leader’s latest power play, but Gagosian would beg to differ. When one of America’s most powerful art dealers makes plans for the future, people pay attention. But some critics suspect that Gagosian’s plan to enter the art advisory field will lead to […]

Here Are 3 Trends That Show the Hong Kong Auction Market Is Booming for International Art

We examine three trend lines from the recent slate of Hong Kong sales to determine where the market is headed. Like a massive Companion balloon in Macy’s Thanksgiving Day Parade, the mind-boggling $14.8 million paid for a KAWSpainting in Hong Kong earlier this month upstaged every other result from Sotheby’s recent series of sales in the city. But […]

Want to Be a Crash-Proof Collector? Here Are 3 Things to Do to Stay Ahead of the Art Market During a Recession

Don’t be afraid to sell a masterpiece, look at the middle market, and more advice for cashing in on art when the stock market is falling. Nothing gold can stay, and every art-industry veteran understands that the good times don’t last forever. Beneath the big-money rumblings of last November’s New York auctions—a bellwether slate of […]

Five Artists Who Have Changed the Way We See Neon

Seedy motels, fast food joints and the romantic underbelly of urban life are all synonymous with the warm artificial glow of neon. Since the 1920s, the commercialization of “liquid fire” has seen countless industries quite literally put their name up in lights, and although other more high-tech forms of illumination are now available, no other […]

How Does the Art World Live With Itself?

The lush new art-world documentary The Price of Everything shows us a system so waist-deep in hypermarketing and excess that it’s hard to look at art without being overcome by money, prices, auctions, art fairs, celebrities, well-known artists, and mega-collectors who fancy themselves conquistadors. In this, it’s a lot like most recent accounts of the art world […]

NYT Review: ‘The Price of Everything’ Asks $56 Billion Questions About Art

“There are a lot of people who know the price of everything and the value of nothing,” the art collector Stefan Edlis remarks in Nathaniel Kahn’s new documentary. The words, unattributed in the film and the source of its title, come from “Lady Windermere’s Fan” by Oscar Wilde, where they supply the definition of a cynic. But […]

Seattle Art Fair Artistic Director Nato Thompson on How to Cut the Crap and Connect With an Audience

The Creative Time alum speaks with artnet News’s editor-in-chief Andrew Goldstein about the intersection of art and tech and how to add heft to art-fair programming. Nato Thompson has a knack for putting artists and other thinkers together in a way that gets people talking. He did this to great effect during his decade at […]

The End of Exhibitions? As Attendance Plummets, New York Dealers Are Scrambling to Secure the Future of the Art Gallery

To lure the public back into art galleries, dealers are banding together and adopting vintage tactics like the old-fashioned gallery walk. On Wednesday night in New York, 30 art galleries stayed open late to accommodate visitors to the inaugural Chelsea Art Walk, a new initiative spearheaded by the Art Dealers Association of America. It’s a “great […]

The Gray Market: Could Auction Houses Really Help Save Struggling Galleries? (and Other Insights)

Our columnist follows the bread crumbs left by the rumor that Art Agency, Partners will offer gallery advisory services for a hefty fee. It’s not exactly an analytical breakthrough if I tell you that the art industry is deeply troubled and, in many cases, deeply paranoid right now. A lot of people in the trade […]

Is Everything We Know About Gallery E-Commerce Wrong? How David Zwirner and Gagosian’s New Initiatives Break the Rules

With their new online viewing rooms, the mega-galleries are challenging ideas about what can (and can’t) sell online in a changing art market. Galleries have been offering works to buyers digitally since at least the early days of smartphones. But back then, emailed JPGs and PDF checklists were usually used to whet clients’ appetites for […]

Billy Apple in Hong Kong: In Focus

To present 21 works in Hong Kong, spanning approximately six decades (1962–2018), is an unusual occasion for Billy Apple, a groundbreaking New Zealand-born artist whose pop-infused conceptual practice is mostly acknowledged in New Zealand, England (where he studied and worked from 1959 to 1964) and the United States (where he lived from 1964 to 1990). Titled Billy Apple® […]

Private Sales Offer Art for a Few Eyes Only

Private sales through auction houses are suddenly big, but are they new? “It was something that was kept under wraps at most of the houses for some time,” said David Schrader, who joined Sotheby’s last year as its head of private sales for contemporary art. “Now we’re being very vocal about it and putting more […]

A leap into space: Malevich’s Suprematist Composition

How this 1916 canvas, included in every major survey of Malevich’s Suprematist works mounted during his lifetime, revolutionised modern art. On 15 May it is offered in the Impressionist and Modern Art Evening Sale  in New York. On 17 December 1915, a series of new paintings by the Russo-Polish artist Kazimir Malevich (1878-1935) was exhibited in the Dobychina Art […]

How Is Western Art Really Faring in Asia? 3 Trendlines From Hong Kong’s Spring Auctions Reveal the Changing Market

Asian, postwar, and fine art are by far the most bankable categories in Hong Kong. In recent years, Hong Kong has transformed in the eyes of the Western art industry. Formerly a destination that warranted attention primarily during Art Basel Hong Kong and a few scattered auctions, the region now hosts permanent spaces from many of […]

5 Post-War Italian Artists to Know

An essential introduction to Italy’s most collectible names ahead of April’s modern and contemporary art auctions in Milan. Born in Turin in 1940, Alighiero Boetti is today recognized as one of Italy’s most important conceptual artists, and was a leading figure in the Arte Povera movement that revolutionized contemporary art at the end of the […]

How to Tell if an Artwork is Fake

Confirming the authenticity of an artwork crucial before buying. We give 5 key factors to consider and uncover some of the most shocking forgery cases in art history The notion of a forger conjures up a the image of a cartoonish criminal painting a knock-off da Vinci in some kind of darkened attic. But many […]

Team Gallery’s Jose Freire on Why He Is Quitting Art Fairs for Good – Part I

The veteran art dealer explains why he has soured on the art market’s central apparatus. The central driver of the modern-day art market, at least when it comes to galleries, is art fairs. They promise efficiency: for a hefty booth fee (plus travel and shipping costs), dealers from around the world can convene in a […]

Georg Baselitz Celebrates His 80th Birthday With a Berlin Gallery Show Packed With Museum Masterpieces

Why It’s Worth a Look: Marking the artist’s 80th birthday, this exhibition brings together significant works loaned from institutions and private collections, spanning the breadth of Baselitz’s long career. One of Germany’s most significant and celebrated artists, Baselitz is a part of a generation of artists that reinvented German painting in an era that was struggling […]

Why Frieze Los Angeles Would Be Dead on Arrival (and Other Insights)

This week, our columnist draws on his LA gallery experience to chart the pitfalls of Frieze’s potential westward expansion. THE RUMOR On Thursday, Charlotte Burns and Allan Schwartzman reported in Art Agency, Partners’s “In Other Words” newsletter that “the Frieze Art Fair is looking to launch a Los Angeles event in January 2019.” A Frieze […]

State of the Culture, IV: Why the ‘Art World’ as We Know It Is Ending

In Part I of this series on the State of the Culture, I looked at the changing environment for museums; Part II was dedicated to the changing rules for artists; Part III examined the new dynamics of art media. In Part IV, I try to sum things up. Flaubert’s Dictionary of Received Ideas is a kind of parody of 19th-century cocktail-party clichés. There’s an […]