A titanic presence in American postwar art, Jeff Koons is an icon whose popular fame, instantly recognizable sculptures, and consistent status as the most expensive living artist ensure that he will be remembered for a long, long time to come. And that’s not even considering their value as works of art, an appraisal that will have its […]
Midway through the Whitney Museum’s Jeff Koons retrospective, you come upon “Banality.” The series, unveiled in 1988 at three galleries concurrently (Sonnabend in New York, Donald Young in Chicago, and Max Hetzler in Cologne), made Koons the neo-Pop god that he is today. It consists of a series of man-sized kitsch figurines. “In my ‘Banality’ series I started […]
Carl Andre is credited with changing the history of sculpture. Now nearly 80, Andre once scrounged industrial materials — timber, bricks, squares and ingots of metal — and arranged them on the floor. No pedestals, no joints and no altering of the surfaces. In 1970, the Guggenheim Museum in Manhattan gave the young artist a […]
Everything about the Jeff Koons retrospective at the Whitney Museum of American Art is over-the-top. That includes the press-conference-cum-love-in that opened Tuesday’s media preview, during which museum director Adam Weinberg whipped himself into a subdued but hyperbolic frenzy, rhapsodizing about how Koons’s artistic career had a partial genesis in a 1974 Jim Nutt exhibition Jeff saw, age […]
NEW YORK, NY.- The Whitney Museum of American Art will debut the most comprehensive retrospective ever devoted to the groundbreaking art of Jeff Koons. This unprecedented exhibition will be the artist’s first large-scale museum presentation in New York and also the first time that a single artist’s work will fill nearly the entire Whitney Museum. […]
There may not be many Americans at Art Basel compared to the droves of Europeans, but this morning, the buzz here briefly centered around New York City when Lisson Galleryannounced plans to open a brand spanking new 8,500-square-foot space in Chelsea, constructed under and around the High Line. Nearly 50 years after Nicholas Logsdail opened Lisson’s […]
For the past 150 years, pretty consistently, art movements moved in thrilling but unmysterious ways. They’d build on the inventions of several extraordinary artists or constellations of artists, gain followings, become what we call a movement or a school, influence everything around them, and then become diluted as they were taken up by more and […]
Moving the opening of the Venice Biennale to May has set the cat among the pigeons. When it was announced that the Venice Biennale was shifting the date for the opening of its 2015 edition to 9 May (with previews from 6 to 8 May), it sent the whole art market into a frenzy. The […]
There are two shows currently taking place in New York that regard Obama as a touchstone. The first is Michelle Grabner’s festive floor at the Whitney Biennial, where the president stares with distinguished self-possession into the lens of photographer Daywoud Bey. Young and commanding, this is Obama before the announcement of his candidacy in 2008. The moment marks a progressive […]
Is there anything left to say about Richard Prince‘s notorious “Canal Zone” paintings and their attendant legal controversy? The case was finally settled, leaving its effect on copyright law uncertain. Art-world scolds who railed against Prince’s appropriation of photographer Patrick Cariou’s Rastafarian images have moved onto new causes. The dozen or so pictures, looking as if some of them might be […]
BAC is off to Frieze NY for the 3rd instalment of this excellent Fair (hopefully it will be a little less, ah, dramatic, this time…). Lots of other things are happening in New York at the same time, including the “satellite” Art Fairs: NADA, PULSE, and even “outsiders” are invited, to the Outsider Art Fair. […]
Carl Andre is one of America’s greatest living sculptors. He has been mostly absent from the American art scene for decades, but recently returned to oversee the installation of a new retrospective. Watch the video.
A year away from opening, the new home of the Whitney Museum of American Art is still a construction site, but it is already a vivid presence in Manhattan’s meatpacking district, and curators have mapped out months’ worth of exhibitions there. The first show to go on view next spring — an opening date has […]
Montclair show tours the land artist’s Garden State legacy. On a frigid morning this past winter, the art historian, critic and curator Phyllis Tuchman was guiding her blue Mercedes sedan through the desolate parking lot of a shopping plaza in Bayonne, N.J., past a Super Stop & Shop, a Starbucks and a Houlihan’s, toward an […]
Next up in our series of the world’s most expensive living artists: the Americans. Auction results reveal both the usual suspects as well as some surprises, making this list more diverse than might have been expected. Some of these artists are auction darlings with thousands of works on the block, while others have had nary […]
In May 2013, German artist Gerhard Richter broke his own record when his 1968 painting “Domplatz, Mailand,” which looks like a fuzzy black-and-white photograph, sold at auction for $37 million, the highest amount for any living artist. It was a record he held for six months, until Jeff Koons’ “Balloon Dog” smashed it, selling for […]
Two Shows Offer a New Look at Julian Schnabel. At the moment, Julian Schnabel’s painting seems to be the art that dares not speak its name. Its influence is widely visible but rarely cited. You can see it in the work of artists from Joe Bradley to Oscar Murillo and all sorts of painters who […]
In 1976 I found myself in Düsseldorf, one stop on a mission to gather material for a special “European” issue of Art-Rite magazine (which we never managed to put out). One memorable highlight was a Sigmar Polke exhibition at the Frankfurt Kunsthalle. The entryway was blocked off by wood fencing, probably bought at a garden supply store, but visitors could […]
James Franco’s new exhibition at Pace is bad. It’s not a George W. Bush–caliber train wreck, but it’s close. The exhibition, “New Film Stills,” features 29 photographs from Franco’s series inspired by Cindy Sherman’s seminal “Untitled Film Stills” (1977–80). In each black-and-white photograph the artist-actor-scholar appears dressed (or undressed) in women’s clothes, often sporting a wig and makeup, for […]