Artnet News Part Two of the top 55 European Galleries is below, including Iceland, Italy, Ireland, Norway, Portugal, Sweden and the UK. Pictured is Nicholas Logsdail, Founder and Director of London’s Lisson Gallery, representing a wide range of significant conceptual artists including: Marina Abramović, Ai Weiwei, Allora & Calzadilla, Art & Language, Cory Arcangel, Broomberg […]
On Wednesday morning, Chinese artist and prominent dissident Ai Weiwei announced via an Instagram post that Chinese authorities have returned his passport. “Today I got my passport” his Instagram caption read. “Ai Weiwei and his many supporters around the world are thrilled at the news that his passport has been returned after 600 days,” Ossian Ward from Lisson Gallery, […]
Egypt-born and -based Wael Shawky inhabits the epic’s structure impeccably, and in the most unexpected way possible: with puppets. In a lush, labyrinthine trilogy of films being exhibited at MoMA PS1, he uses sublimely designed, marvelously costumed ensembles of marionettes and puppets — some made centuries ago, others fashioned by the artist of Murano glass. […]
“The architecture becomes semi-conscious,” said Philippe Parreno during a morning press conference debuting his new installation for the Park Avenue Armory, which opens today and is on view through August 2. I believe he followed up this building-coming-alive statement with a comparison to the work of Philip K. Dick — the artist’s thick French accent […]
Philippe Parreno’s H {N)Y P N(Y} OSIS (pronounced “hypnosis,” just to confuse us all) is bewildering. Staged in the Park Avenue Armory’s massive drill hall, it’s an installation that involves film, sculpture, music, and performance. It takes at least two hours to get through, and feels as slow and frustrating as the traffic on Broadway during […]
When he was young, the French artist Philippe Parreno had a fantasy in which he would open his mouth and a beam of projector light would shoot out, casting his thoughts onto whatever was in front of him, medium and message in one human head. “My imagination would just be easy and available,” he once […]
Ai Weiwei and Jacob Appelbaum are artists, journalists, dissidents, polymaths — and targets. Their respective governments, China and the United States, monitor their every move. They have been detained and interrogated. Ai cannot leave China, and Appelbaum is advised not to return to the United States. They are separated from their families. Ai has been […]
Laing and Kathleen loan “Notes for Strangers” (and “Void numbering project (continuous)“) to the Geoffrey Farmer exhibition How Do I Fit This Ghost in My Mouth? opening at the Vancouver Art Gallery May 29, 2015. Joanne Latimer: “Okay, so nobody can accuse the Browns of buying art to match the couch.”
Situated on the island of San Giorgio Maggiore in Venice, the ‘glass tea house mondrian’ by japanese artist hiroshi sugimoto unites wood, glass and water as a pavilion, holding the traditional japanese tea ceremony within its transparent walls. the temporary structure, presented at the venice architecture biennale 2014 as part of the activities of le stanze […]
The police in Venice closed an art installation in the form of a functioning mosque on Friday morning, after city officials declared the art project a security hazard and said that the artist who created it, Christoph Büchel, had not obtained proper permits and had violated laws by allowing too many people inside the mosque […]
Our final (so far) column on Chris Burden, by Peter Schjeldahl – you should read it. Burden adventured alone in wilds that aren’t outside civilized life but that seethe within it. He coolly structured convulsive experience. His mastery of form made him a poet, as in a piece that I knew from hearsay and wrote […]
Swiss artist Christoph Büchel was selected to represent Iceland at the 56th Art Biennale in Venice, Italy. His idea was to transform a church, Santa Maria della Misericordia at Campo de L’Abazia, into a mosque. Accordingly, the show is called The Mosque: The First Mosque in the Historic City of Venice and has been realized […]
What does it take to get shot in the name of art? For the late conceptual artist Chris Burden, who did just that, it required courage, vision and an excellent triggerman. One willing to accept the risk that if he missed his target by inches, art could morph into homicide. So when Mr. Burden, who […]
In a tranquil corner of Venice’s Cannaregio district stands a handsome church with an icing sugar white baroque facade. Its origins stretch back to the 10thcentury, but the last mass was celebrated here in 1967, since when, deconsecrated and in private hands, it has stood silent and unused. On 9 May, however, as the 56th […]
You do need to know some art history. As a producer of art objects/gestures, the conventions you decide to ignore and the conventions you decide to repeat are as important, if not more so, than what you invent. If you’re a total novice start with Cubism to Surrealism and then study 1945–75, then take it from […]
New York artist Jamian Juliano-Villani is being accused by another artist of having sticky fingers. Brooklyn’s Scott Teplin sees too much similarity between a small painting by Juliano-Villani, now on view at West Village gallery Gavin Brown’s Enterprise, and a painting of his own. Juliano-Villani explained her thinking in a Facebook comment: It’s important to […]
JOHN NEWSOM: So, how did you discover art? What was your ‘eureka’ moment? PATRICK PAINTER: Well, when I was 28, I was living in Paris, and I was working for an insurance company, Metropolitan Life. One day I said to myself, “I don’t know anything about art, so I’m gonna start looking at art.” It’s […]
Anyone in need of a potent antidote to the feeding frenzy at Art Basel Miami Beach last week should head right now to Paula Cooper Gallery’s second-floor space at 521 West 21st Street in West Chelsea. On view there is a solo show by the German–born, New York–based artist Hans Haacke, whose six-decade career is […]
Quotes from Richard Serra: “Art is not democratic. It is not for the people.” “My sculptures are not objects for the viewer to stop and stare at. The historical purpose of placing sculpture on a pedestal was to establish a separation between the sculpture and the viewer. I am interested in creating a behavioral space […]
A brilliant painter derailed by an unfortunate obsession. There’s no escaping it; Hat Stand, 1969, is a beastly object. The blank-faced mannequin is too literal to succeed as a sculpture, and the conceit is too nasty to be ignored. Her position – holding up her hands to receive our hats – recalls the torture meted […]