Allen Ginsberg. A train accident. Intergenerational trauma. Aspects of all of these elements will converge in Geoffrey Farmer’s upcoming project at the Venice Biennale’s Canada Pavilion, according to details recently released to the media. A major impetus for the project comes from two photographs forwarded to the artist by his sister in April 2016. Farmer states […]
An exhibition at the Frick Collection unites for the first time three of J.M.W. Turner’s 1820s port paintings, created in an age of newly open borders in Europe. As Ian Wardropper, director of the Frick Collection in Manhattan, remarked at the preview for the new exhibition Turner’s Modern and Ancient Ports: Passages through Time, J.M.W. Turner created […]
Royal Academy, London Dance marathons, dustbowl farms, brawling sailors, impoverished cotton-pickers … Adrian Searle takes a journey through 1930s America in a gripping show. The sedan careers up the hill on a country road, slewing as a truck comes over the rise. We have a death’s-eye view, watching it happen. Everything slows down – a […]
The new show feels unquestionably relevant. The opening [today] of “2017,” Wolfgang Tillmans’s survey at Tate Modern, is bringing a much needed breath of fresh air to the London museum, and not because recent exhibitions might have been lackluster—on the contrary, the ongoing Robert Rauschenberg retrospective is a triumph, and the recent solos of Agnes […]
Room after room, turn after turn, Wolfgang Tillmans’ Tate Modern exhibition teems with images large and small. Images alone and arrays of larger and smaller photographs, framed and unframed and attached to the wall with bulldog clips, hung high over doorways and shuffled on a table. A young man’s neck, a knee, a hand stuffed […]
Artspace Article Published: April 3, 2016: Stretched out alongside the east flank of Central Park like a satisfied cat lying in the sun, the Upper East Side—longtime home to tycoons and celebrities—is still the most luxe neighborhood in New York City, where foreign billionaires plant their money in $100 million manses and ridiculous trend stories […]
This week, New York’s Museum of Modern Art (MoMA) rehung its prized Modern galleries, swapping out works by greats like Henri Matisse and Pablo Picasso for works by artists from the Muslim-majority countries affected by President Trump’s travel ban. It’s not exactly as if MoMA has draped itself in a “Muslim Lives Matter” banner. Still, this rapid response, […]
Less than a week after President Trump signed an executive order banning citizens of seven majority-Muslim countries from entering the United States, the Museum of Modern Art in New York has responded by installing a dozen works by artists from those countries, including the late Iraqi-born architect Zaha Hadid, the Sudanese master Ibrahim El-Salahi, and the young Iranian […]
From great masterpieces by Caravaggio and Picasso to Georgiana Houghton’s hypnotic rediscovered paintings, this was a year full of stunning blockbusters. From Picasso, to Marcel Duchamp, to Hieronymus Bosch, Caravaggio, AbEx, Girogione, Anselm Kiefer to William Kentridge, read on…!
While 2016 may have been pretty awful on any number of fronts, we have to admit that it also gave us a lot of pretty great art. Consider Maurizio Cattelan alone, who gave us a solid gold toilet to relieve ourselves on at New York’s Guggenheim Museum, a real life donkey, pooping in the tent […]
Sean Scully now increasingly seems like the most remarkable abstract painter of his generation – this, at a time when abstract art, abstract painting, in particular, is increasingly under attack. We have, however, just received a reminder of how powerful and moving it can be from the magnificent Abstract Expressionist show now on view at the Royal Academy. Though Scully […]
BAC: We saw this exhibition during Frieze week in London, and it is one of the best exhibitions we have ever seen – bar none. This expansive AbEx show is brash, irreverent, and unconstrained, just like the period it aims to express. The titans of Abstract Expressionism are on view now at The Royal Academy of […]
One evening in 1968, Mark Rothko regaled the art dealer Arne Glimcher, who had dropped by his studio on his way home from Pace Gallery in New York, with the story of a visit from a collector that day. Pointing to an enormous painting of dark blue and black rectangles floating on a deep burgundy […]
When the influential Museum of Modern Art curator Laura Hoptman claims that she’s “a painting person,” it’s no joke. A veteran organizer of cutting-edge exhibitions, she built her career in part through her insistence on championing the medium, even—or perhaps especially—through its perennial periods of unpopularity and critical disdain. This has earned her both accolades and […]
Tate Liverpool Klein anticipated pop art with his spirit of mockery and fun, but there was more to the French artist than painting with naked women, as this rare show reveals. Yves Klein was a joker, a thinker and an extreme provocateur. In his dragonfly life – born in 1928, dead of heart failure at […]
People say we’re in the middle of a second civil rights movement, and we are. The only surprise is that the first one ever ended. The artistKerry James Marshall was there for it. He was just a kid then, born in Birmingham, Ala., in 1955. But kids take in a lot. He was in Birmingham […]
Sehgal’s latest work will likely go down as one of the 21st century’s most interesting hybrids between contemporary art and dance. I came for one reason and one reason only: to see if Sehgal, 40, recipient of this year’s Hans-Molfenter-Preis, could successfully make the exodus from contemporary art back into ballet. Numerous connections to other […]
Close-shaven and bald, Parreno wears woven bracelets on his right wrist and has the words “do so” tattooed on his left, a reference to the hypnotherapist Milton Erickson’s theories of self-empowerment. He is shy and serious, with an ironic sense of humor so subtle it is easy to miss, and he follows many of his […]
Like LeWitt and his meticulous instructions for creating his works, Sandback didn’t so much make things (at least not the things he eventually exhibited) as plan them. His sculptures, when they left the studio, consisted of configurations, measurements, and ratios, along with specifications for the type and color of the yarn or elastic that would […]
There are beautiful, marvellous and terrifying things in the Royal Academy’s much-trumpeted survey of Abstract Expressionism. What more could one ask in a show including the explosive and tender Jackson Pollock; De Kooning swerving and jumbling and dismembering his frightening figures of women; Rothko’s tangy brightness and trembling, tremulous darkness;Barnett Newman’s zips and planes and […]