Antony Gormley says his first White Cube exhibition in four years, which opens in September, is driven by “more of a sense of urgency” than any other show he has done. From the warming of our climate and the acidification of our seas to cities dominated by skyscrapers – “nothing more than expressions of virile […]
Artists, architects and curators tell us about the spaces they love—and hate. What makes a museum building successful? Until the arrival of Frank Gehry’s Guggenheim in Bilbao in 1997, this question might have been almost exclusively focused on the best environments in which to view art. But the Guggenheim’s phenomenal success, which allowed the Basque […]
For his first show at Hauser & Wirth, which opened Wednesday, June 29, Mexico City- and London-based artist Stefan Brüggemann covered the walls of the first floor of the gallery’s Upper-East-Side outpost with spray-painted scareheads ripped from recent news stories and quotes culled from classic films. Part of his ongoing “Headlines and Last Line in […]
The Floating Piers on Lake Iseo in Sulzano, Italy The first work by Bulgarian artist Christo in more than a decade is seemingly miraculous; three kilometres of shimmering marigold walkways floating atop Italy’s Lake Iseo, giving visitors the power to walk on water. First conceived in 1970 by Christo and Jeanne-Claude – his partner in life and […]
LONDON — The day began in the Turbine Hall, the 85-foot-tall atrium at the heart of Tate Modern, the most visited museum of modern and contemporary art in the world. If the museum functions like a medieval cathedral — as the Lord Browne of Madingley, chairman of Tate’s Board of Trustees, suggested in a packet […]
Not much happens on time in London, let alone early. Switch House, the bold new Tate Modern extension opening on June 17, was originally planned for the end of next decade… ish. But five years after Herzog & de Meuron converted the Bankside Power Station, in 2000, visitor numbers had outpaced predictions by millions. According […]
A kind of extended happening, or maybe a series of short ones, has gently taken over the Park Avenue Armory, one of the architectural gems of New York. Numerous moving parts, animate and inanimate, are involved, and they are all the doing of the British maverick Martin Creed, the first artist to be given the […]
The Armory’s 55,000-square-foot central room must make artists who are commissioned to create work there break out in night sweats. Creed’s principal intervention in it, Shutters Opening and Closing (2016), is sure to make them jealous. The darkened hall is nearly empty. The rolling garage door at the back of the space, which looks out […]
Although he can come across as almost pathologically ill at ease and underprepared, the artist is clearly not lacking in confidence. The Armory’s largest space is its drill hall, which actually earns the overused adjective cavernous. Instead of cluttering it with whimsies, Creed has installed a single huge projection of a new work: a music-video-slick […]
When the new 10-story museum opens June 17, it will boast a huge performance space, rooftop terrace and more geographically diverse collection. In a year of glitzy museum openings, from New York’s Met Breuer to San Francisco’s sleek SF MoMA, London’s Tate Modern is upping the ante. On June 17, the museum will open the […]
Discover how a generation of artists swapped pencils for dumper trucks as they made the world their canvas. In the summer of 1967, while hitchhiking his way from St Martin’s School of Art to his home city of Bristol, the British art student Richard Long stopped in a field in Wiltshire, and walked repeatedly in […]
Follow Richard Serra’s to it recent installation at SF MoMA. Watch the video – make it BIG and turn on the volume.
If you are even a casual appreciator of art in New York, the chances are that you have stepped into one of Annabelle Selldorf’s spaces, and been entranced. Perhaps the most coveted architect among the minimalistically inclined art elite, Selldorf has designed a broad spectrum of the city’s art sites, from theNeue Galerie uptown, steeped […]
The drab free port zone near the Geneva city center, a compound of blocky gray and vanilla warehouses surrounded by train tracks, roads and a barbed-wire fence, looks like the kind of place where beauty goes to die. But within its walls, crated or sealed cheek by jowl in cramped storage vaults, are more than […]
Among the shafts of luxury flats sprouting up along the south bank of the Thames, from Battersea to Bermondsey, there is one new tower unlike the others. It is made of brick, not glass, and stands as a squat, truncated pyramid, twisting as it rises. Punctured only by thin slit windows, Tate Modern’s new extension […]
Located in the 16th-century Palazzo Rospigliosi in the rustic country village of Zagarolo, a short drive outside of Rome, Granpalazzo is unlike any art fair you’ve seen before. Instead of traditional booths, there are curated presentations of individual artists, elegantly spaced throughout the historic building. The walls are covered with historic frescos, the conversation is […]
If you build it, they will come. Or that’s what the board at the San Francisco Museum of Art is betting on. This week, the 81-year-old institution opens its doors after a three-year renovation, gifting the West Coast with a world-class collection that would make MoMA blush. Sure, you can see Richard Serra in New […]
Jacques Herzog, the more talkative half of the pair of boyhood friends who founded the architectural practice Herzog & De Meuron, is worried about the world. “The things based on the five senses that we like so much, all these values – that we treat people well. They are in danger. There is such a […]
There’s never a shortage of mega-art in Chelsea: a stroll one morning this week encountered such gallery-filling works as Jordan Wolfson’s deranged, chain-operated marionette (“Colored sculpture,” 2016) at David Zwirner and Anish Kapoor’s mammoth, packed-earth “She Wolf” (2016) at Gladstone. And then there’s Richard Serra, whose double-gallery blowout at Gagosian is Exhibit A for material-intensity-meets-overwhelming-scale. […]
Richard Serra may have his ideological detractors, but he is certainly today’s greatest living sculptor of Minimalist abstraction. Exhibitions of new works occupying Gagosian Gallery’s two Chelsea display spaces find Mr. Serra at 76 still wrangling fundamentals of shape, space, gravity and time into objects and installations of thrilling severity. The most arresting piece at […]