The dazzling, haunting ‘combines’ at the heart of Tate Modern’s forthcoming retrospective were part of a private game between Rauschenberg and his peers and sometime lovers, Cy Twombly and Jasper Johns. Robert Rauschenberg’s 1954 work Untitled is an upright wooden box supported by a white, colonial-era table leg over an open stage-like enclosure in which […]
The Museum of Modern Art has wisely advertised its Bruce Conner retrospectivewith an image of Bombhead, a 1989/2002 print in which an army general’s head is replaced with a mushroom cloud. This is a show that promises to blow your mind, and it lives up to that threat. Trippy, disturbing, entertaining, and whimsical all at […]
Among radical 20th century art movements (of which there are more than a few), Surrealism is one of the few that’s been able to establish a hold on the popular as well as avant-garde imaginary, in no small part due to the outlandish public persona of its self-proclaimed ringleader Salvador Dalí. What’s sometimes forgotten, however, […]
Ai Weiwei’s Tree (2009–10) stands a towering five metres in height, and spans the same distance at its upper reaches. A commanding yet enchanting presence in Gallery B105, Tree is flanked to the west by the late Sol LeWitt’s experiment with colour and asymmetry, Wall Drawing No. 623 Double asymmetrical pyramids with colour ink washes […]
Despite its status as one of the most widely cited and recognizable art movements to come out of the early 20th century,Surrealism remains (perhaps appropriately) something of an enigma to contemporary art viewers. In some ways, it’s simply too strange—the paintings, sculptures, and writing that the loosely defined philosophy has produced appear to have little […]
Tate Modern’s retrospective of Mona Hatoum spans the artist’s 35-year career, and she has made a lot of art. Hatoum’s works mine geopolitics, gender, art history, and her own past to reveal a world that is frightening and complex. Hatoum’s practice is layered and asks for contemplation. By abstracting the everyday, objects are made distressing, […]
“How does one achieve eternal bliss? By saying dada,” proclaimed the poet, musician, and theater producer Hugo Ball in the summer of 1916, as World War I raged on. “How does one become famous? By saying dada…How can one get rid of everything that smacks of journalism, worms, everything nice and right, blinkered, moralistic, Europeanized, enervated? By […]
In recent years the word ‘appropriation’ has become a fashionable, obliquely commendatory term used in discussions of contemporary art. The implication is that making use of a borrowed image is somehow a radically original thing to do. The less you change that image, the better. In particular, used in this context, the word also implies the existence of an unspoken conspiracy between […]
Just like last year, when the announcement came over the loudspeaker at 6 p.m. on Sunday that the Seattle Art Fair was closed, people applauded. But this time, the applause was a little more sparse, a little more nervous. Fair organizer Max Fishko said people clap only in Seattle. The desire for success is so […]
In former sex clubs, churches, and East German watering holes. When the Berlin collector Karen Boros first visited the place she now calls home, in the late 1990s, she was “catapulted into a different world,” she recently told me. “People were running around in leather outfits and strange masks, and fog machines made it impossible […]
The first blue pigment to hold its color was often prized over gold. The semi-precious stone lapis lazuli was ground into an iridescent pigment, sometimes called ultramarine, that seemed to shine when applied to the canvas. The first known use of it as a pigment goes back to 6th and 7th century BCE wall paintings in Bamiyan, Afghanistan, the country where […]
The Seattle Art Fair, started last year by Paul G. Allen, the co-founder of Microsoft, has a proud inner geek. But like Mr. Allen himself, who has fingerprints on much of the city’s explosion of growth, geekiness only touches the surface. Through a real estate development arm of his company, Vulcan Inc., he is building […]
If Martin Creed had been alive in Medieval Europe, it is easy to imagine him as an admired court jester, entertaining the royals with dashes of absurdity while at the same time speaking truth to power, gingerly prodding the monarch. Creed delights in tweaking, and even flouting, convention. He hatches harebrained schemes—usually just single, simple […]
New York art show The Keeper celebrates our poetic obsession with objects, but how many of us simply surround ourselves with familiar, reassuring rubbish? The exhibition and these reactions suggest a new chapter in the history of collecting. The psychology of the collector seems more traumatised, anxious and defensive. The type of collecting the New […]
Susan Philipsz and John Cage have shown that the genre has claims to greatness, but two works in Edinburgh betray the emptiness of much sound art. Let’s get this straight, sound art buffs: of course art can be made with sound. It can be made with anything. The first masterpiece of sound art is Marcel […]
A conceptual artist devises an ingenious plan for negotiating access to a hidden archive. Last September, in Guadalajara, an American conceptual artist named Jill Magid and a pair of gravediggers convened at the Rotonda de los Jaliscienses Ilustres, a monument where the most celebrated citizens of the state of Jalisco are entombed. With them were two […]
In May, the painter Carmen Herrera surveyed her first US solo show in a decade at New York’s Lisson Gallery and wept with joy. She had ample reason to. Besides being represented by one of the world’s most important galleries, she had canvases on view in the permanent collections of the Museum of Modern Art, the […]