Has the Turner prize lost its power to shock? No – thanks to James Richards’s sphincter shots. But it’s Tris Vonna-Michell’s spellbinding spoken-word travelogues that deserve to win. What a heartening way to celebrate 30 years of the Turner prize. People are always saying the Turner, which shocked the nation with Tracey Emin’s unmade bed […]
There has been a lot of bickering about what Conceptual art is/was; who began it; who did what when with it; what its goals, philosophy, and politics were and might have been. I was there, but I don’t trust my memory. I don’t trust anyone else’s either. – Lucy Lippard, “Escape Attempts” The term “concept art” […]
It’s an artist’s dilemma: collectors are often more eager to buy a well-established artist’s early work than whatever he or she may be putting out now. Italian Surrealist Giorgio di Chirico famously resolved the problem in a controversial way, intentionally misdating some of his 1940s paintings because they were not nearly as sought-after as his […]
Ever since critic and theorist Walter Benjamin penned his landmark essay in 1936, it’s been accepted as a kind of common wisdom that the aura of the artwork has withered in the (never-ending) age of mechanical reproduction. But a new study suggests the aura hasn’t vanished entirely yet, and perhaps it never will. “Are Artworks More Like […]
Since his release from an 81-day detention by Chinese authorities in 2011, Beijing-based artist and activist Ai Weiwei has not kept silent, despite stipulations that prohibited interviews and other activities. In the United States, he was the subject of the traveling retrospective “Ai Weiwei: According to What?” which wound up its tour at the Brooklyn […]
At 69 Kiefer is widely regarded as one of the most important artists alive, or, to put it another way, a master at the alchemy of metamorphosing all manner of items into something more interesting, and sometimes much more valuable than gold: contemporary art. He is one of a succession of notable artists who emerged […]
Berlin played host to the third edition of ArtFi, the Fine Art and Finance Conference, on Wednesday, welcoming influential panelists and art world insiders to the Tagespiegel newspaper headquarters for a day of high-tempo exchange on the latest trends and developments in the art market. Coinciding with Berlin Art Week, the conference’s focus on art and […]
Its Wikipedia entry calls it “a short and violent movement,” and even compared with the aesthetic extremes of the 1960s, the unrelenting art of Vienna Actionism stands apart. After the passage of fifty years, the questions it raised about the limits and origins of art remain no less troubling or closer to resolution. The four […]
Not all great architecture begins with a bulldozer. From Foster + Partners’ reworking of Berlin’s Reichstag, to last year’s Stirling Prize winner, the partially ruined Astley Castle by Witherford Watson Mann, many of the most successful new buildings start with an older one. The latest feature on the Phaidon Atlas brings together six of the most […]
Wouldn’t it be nice to think that a gender-delimited list is no longer relevant? It’s true that to be a practicing woman artist today is hardly the struggle it would have been in Mary Cassatt’s era. Women artists are actively acquired by museums and honored with major surveys and retrospectives; recent names in the spotlight […]
A holdover from the days of the French salon system, art awards provide distinguished organizations—museums, government bodies, corporations, philanthropic groups—with a way to honor the outstanding artistic talent of the day (and to burnish their own reputations in the process). With Grand Rapids’s headline-grabbing Artprize on the horizon, we’ve assembled a glossary of the world’s […]
If you could have dinner with just one 20th-century art historian, you might want to choose Leo Steinberg (1920-2011). Known for delivering garrulously wide-ranging lectures and papers that were as lucid as they were revolutionary, he was also admired for his wit, dropping in enough jazzy lines that Woody Allen could have cherry-picked them for material. The following is […]
When John Baldessari started creating his text paintings in the mid 1960s, only a handful of artists had ever trifled with the idea. There were Roy Lichtenstein‘s paintings from comics, and the Cubists had integrated newspaper clippings in their work, but nobody had been brave enough to exhibit paintings that simply offered text. For one […]
When artists agree to be represented by a gallery, they usually work out with the gallery owner such matters as the amount of the dealer’s commission; how often their work will be exhibited in solo or group shows; the price of their artworks; that sort of thing. Another expectation, usually not as explicitly stated but increasingly […]
Although Meyer Schapiro (1904-1996) was one of the most influential art historians of the 20th century, his legacy is hard to quantify. He was a professor at Columbia University from 1928 until his death; he also lectured at New York University in the early 1930s and thereafter at the New School. For an academic, Schapiro had a uniquely extensive reach through his […]
Known for his support of “action painters”—his term for the Abstract Expressionists—Harold Rosenberg (1906-1978) was, along with Clement Greenberg, at the center of mid-century American art criticism. Together, these two critics developed the vocabulary and analytic tools to understand Abstract Expressionism, and to explain its advancements to the rest of the world. There was, however, a catch: […]
PARIS — One cloudy afternoon this month, the line to enter the Louvre stretched around the entrance pyramid, across one long courtyard and into the next. Inside the museum, a crowd more than a dozen deep faced the Mona Lisa, most taking cellphone pictures and selfies. Near the “Winged Victory of Samothrace,” Jean-Michel Borda, visiting […]
When reading art history, it’s easy to slip into imagining the artist alone in a dingy garret, awaiting the world to recognize his artistic glory. But the idea of individual genius is somewhat of a romantic conceit. In most cases, artists were also once students, perhaps plodding through school exercises, or emulating a mentor. Take […]
Possibly the most renowned art critic in American history, Clement Greenberg (1904-1994) held sway for years in the postwar period over not only the popular perception of contemporary art being made in this country but also how the artists themselves thought about it and brought it into being in their studios. While his reign eventually came to […]
Over the past decade, the Middle East’s participation in the international art world has increased dramatically. Across the Gulf states, world-class museums have been built at a galloping clip, art fairs have blossomed, and Qatar has emerged as quite possibly the largest buyer of contemporary art on the planet. Middle Eastern artists have become stars on the […]