Painting has always served as a kind of laboratory for innovative ways of looking at the world, from the perspectival experiments of Alberti all the way to Impressionism, Cubism, Surrealism, abstraction,Minimalism, et cetera. Painters often saw themselves as an advance guard, pushing a kind of investigation forward in new terrain. Here, you’ve mentioned how in […]
Dr James Fox has never really got conceptual art. And he’s not alone. Conceptual art has been treated with suspicion and incredulity by virtually everyone outside the art world for nearly a hundred years. Ever since Marcel Duchamp first displayed a signed urinal and claimed it was art in 1917. So was he taking the […]
Sculpture has gone through a plethora of transformations in the modern era, from Rodin’s emotionally charged, erotic figures in the 1880s, to Judd’s geometric, stoic forms of the 1960s, to the current anything-goes approach of contemporary sculptors. Naturally, the best (or at least best-remembered) artists use their work to respond to the pressing political and […]
Maurizio Cattelan’s new, site-specific work opens to the public at the Solomon R. Guggenheim Museum today September 16, 2016. For “America”, the artist replaces a toilet in one of the museum’s public restrooms with a fully functional replica cast in solid gold. Cattelan is often described as the art world’s resident prankster and provocateur; this installation is the first artwork […]
What is clear is that Gander’s become a powerhouse, with his works intriguing and baffling people in major shows throughout the world, and all this has made him something of a lodestar to young artists in England, a group he also supports by setting up art schools around the country. Among Gander’s works is This Consequence (2005), where […]
With works spanning two decades that force us to pause, reflect, and see the world through fresh eyes, Martin Creed has challenged what it means to be an artist. Born in Wakefield, England in 1968, Creed grew up in Scotland where his father worked as a silversmith and lectured at Glasgow School of Art. Creed […]
“Without tradition, art is a flock of sheep without a shepherd. Without innovation, it is a corpse.” – Sir Winston Churchill Join Laing Brown, a noted art collector, Board Member and Chair of the Audain Art Museum Acquisitions Committee, for a public multi-media presentation where he will discuss his Top 10 Collecting Rules for contemporary […]
The dazzling, haunting ‘combines’ at the heart of Tate Modern’s forthcoming retrospective were part of a private game between Rauschenberg and his peers and sometime lovers, Cy Twombly and Jasper Johns. Robert Rauschenberg’s 1954 work Untitled is an upright wooden box supported by a white, colonial-era table leg over an open stage-like enclosure in which […]
The Museum of Modern Art has wisely advertised its Bruce Conner retrospectivewith an image of Bombhead, a 1989/2002 print in which an army general’s head is replaced with a mushroom cloud. This is a show that promises to blow your mind, and it lives up to that threat. Trippy, disturbing, entertaining, and whimsical all at […]
Ai Weiwei’s Tree (2009–10) stands a towering five metres in height, and spans the same distance at its upper reaches. A commanding yet enchanting presence in Gallery B105, Tree is flanked to the west by the late Sol LeWitt’s experiment with colour and asymmetry, Wall Drawing No. 623 Double asymmetrical pyramids with colour ink washes […]
Despite its status as one of the most widely cited and recognizable art movements to come out of the early 20th century,Surrealism remains (perhaps appropriately) something of an enigma to contemporary art viewers. In some ways, it’s simply too strange—the paintings, sculptures, and writing that the loosely defined philosophy has produced appear to have little […]
“How does one achieve eternal bliss? By saying dada,” proclaimed the poet, musician, and theater producer Hugo Ball in the summer of 1916, as World War I raged on. “How does one become famous? By saying dada…How can one get rid of everything that smacks of journalism, worms, everything nice and right, blinkered, moralistic, Europeanized, enervated? By […]
In recent years the word ‘appropriation’ has become a fashionable, obliquely commendatory term used in discussions of contemporary art. The implication is that making use of a borrowed image is somehow a radically original thing to do. The less you change that image, the better. In particular, used in this context, the word also implies the existence of an unspoken conspiracy between […]
If Martin Creed had been alive in Medieval Europe, it is easy to imagine him as an admired court jester, entertaining the royals with dashes of absurdity while at the same time speaking truth to power, gingerly prodding the monarch. Creed delights in tweaking, and even flouting, convention. He hatches harebrained schemes—usually just single, simple […]
Susan Philipsz and John Cage have shown that the genre has claims to greatness, but two works in Edinburgh betray the emptiness of much sound art. Let’s get this straight, sound art buffs: of course art can be made with sound. It can be made with anything. The first masterpiece of sound art is Marcel […]
Has much changed since Marcel Duchamp’s Fountain? The art world is no stranger to the gasp-inducing project or performance: in fact, it seems at times to thrive on it. In these dog days of summer, when the art world slows down and the tumbleweeds approach Chelsea, we’re excited to hear that provocative exhibitions are still […]
Fluxus was a loose confederation of international artists in the 1960s working in performance, painting, sculpture, poetry, experimental music, and even correspondence art (art sent through the postal service). It was often, though not exclusively, political in tone. Fluxus works shared similarities with the “Happenings” of Allan Kaprow, particularly in the way they blurred distinctions […]
Everything is fair game for the Turner Prize-winning artist in a new show at the Park Avenue Armory. The Turner Prize-winning British artist is known for his singular (sometimes gross) sense of humor, sparking debate with seemingly mundane, Duchampian conceptual actions and for nabbing Britain’s coveted Turner Prize by rigging a light switch with a timer. […]
A kind of extended happening, or maybe a series of short ones, has gently taken over the Park Avenue Armory, one of the architectural gems of New York. Numerous moving parts, animate and inanimate, are involved, and they are all the doing of the British maverick Martin Creed, the first artist to be given the […]