What is clear is that Gander’s become a powerhouse, with his works intriguing and baffling people in major shows throughout the world, and all this has made him something of a lodestar to young artists in England, a group he also supports by setting up art schools around the country. Among Gander’s works is This Consequence (2005), where […]
With works spanning two decades that force us to pause, reflect, and see the world through fresh eyes, Martin Creed has challenged what it means to be an artist. Born in Wakefield, England in 1968, Creed grew up in Scotland where his father worked as a silversmith and lectured at Glasgow School of Art. Creed […]
“Without tradition, art is a flock of sheep without a shepherd. Without innovation, it is a corpse.” – Sir Winston Churchill Join Laing Brown, a noted art collector, Board Member and Chair of the Audain Art Museum Acquisitions Committee, for a public multi-media presentation where he will discuss his Top 10 Collecting Rules for contemporary […]
What did the artists associated with Abstract Expressionism do so differently? And how is their work still relevant today? As the first survey of Abstract Expressionism for nearly 60 years is staged in Britain, co-curator David Anfam answers key questions. 1. How was Abstract Expressionism different to what came before? Crucially Abstract Expressionism, or ‘Ab […]
The Museum of Modern Art has wisely advertised its Bruce Conner retrospectivewith an image of Bombhead, a 1989/2002 print in which an army general’s head is replaced with a mushroom cloud. This is a show that promises to blow your mind, and it lives up to that threat. Trippy, disturbing, entertaining, and whimsical all at […]
If Martin Creed had been alive in Medieval Europe, it is easy to imagine him as an admired court jester, entertaining the royals with dashes of absurdity while at the same time speaking truth to power, gingerly prodding the monarch. Creed delights in tweaking, and even flouting, convention. He hatches harebrained schemes—usually just single, simple […]
New York art show The Keeper celebrates our poetic obsession with objects, but how many of us simply surround ourselves with familiar, reassuring rubbish? The exhibition and these reactions suggest a new chapter in the history of collecting. The psychology of the collector seems more traumatised, anxious and defensive. The type of collecting the New […]
In May, the painter Carmen Herrera surveyed her first US solo show in a decade at New York’s Lisson Gallery and wept with joy. She had ample reason to. Besides being represented by one of the world’s most important galleries, she had canvases on view in the permanent collections of the Museum of Modern Art, the […]
You don’t need to be an art insider to hear the term “Abstract Expressionists” used to describe the inspiration behind all manner of contemporary painting, but what was the original movement all about? Hint: it’s more than just Jackson Pollock drinking and tossing paint on a canvas. In this brief essay from Phaidon’s Art in Time: […]
In this extensive interview excerpted from the revised and expanded edition of Phaidon’s monograph Alex Katz, the New York-based painter sits down with his longtime friend Robert Storr, the now-outgoing dean of the Yale School of Art, for a lively, winding discussion about the artist’s influences, concerns, and life history. You once said that a jerk is somebody […]
Each year, artnet News rounds up the art world’s top-performing artists at auction, across categories. But as the 2016 results come in from the first half of auction season, not much has changed since we last mined theartnet Price Database to identify the most expensive living American artists of 2015—which isn’t a good thing. Similar to […]
THE sculptor Richard Serra, a stickler about the differences between art and architecture, once described most public sculpture in urban architectural settings as “displaced, homeless, overblown objects that say, ‘We represent modern art.’” For most of the last century, residential and commercial developments in New York City tended to marry architecture and art with that […]
Artists, architects and curators tell us about the spaces they love—and hate. What makes a museum building successful? Until the arrival of Frank Gehry’s Guggenheim in Bilbao in 1997, this question might have been almost exclusively focused on the best environments in which to view art. But the Guggenheim’s phenomenal success, which allowed the Basque […]
When I first saw the vid of the reunion of the two artists Marina Ambramovic and Frank Uwe Laysiepen aka ‘Ulay’ after 33 years of being apart, I was so touched by how they look at each other eyes and you can tell that true love never dies. 🙂 Watch the Video – Click Here. […]
David Bowie in his final, magnificent performance, Lazarus. WATCH the VIDEO – click here. Make it BIG and turn up the sound …
For his first show at Hauser & Wirth, which opened Wednesday, June 29, Mexico City- and London-based artist Stefan Brüggemann covered the walls of the first floor of the gallery’s Upper-East-Side outpost with spray-painted scareheads ripped from recent news stories and quotes culled from classic films. Part of his ongoing “Headlines and Last Line in […]
ArtList, an online platform for anonymous secondary market sales of art, is ceasing operations. In June, during the week of Art Basel, a British art appraisal company was set to sign a deal to acquire the New York-based start-up but it went awry on the very day that it was meant to be signed. The […]
The haunting work titled CHILD goes on show in New York after two decades away from the public eye. Conservators at the Museum of Modern Art (MoMA) in New York have done the seemingly impossible: they have brought Bruce Conner’s CHILD (1959-60), a haunting sculpture of a gas chamber execution, back from the dead ahead […]
Over the last eight years, as cameras have become smaller and smaller — tiny enough to fit on a pair of glasses or inside a swallowable pill —John Reuter has been working to stave off extinction of one of the largest cameras ever made, so big and irredeemably analog that it feels, he says, “as […]