An Eye-Popping Mid-Century Apartment Filled With Pollocks, Klines, and de Koonings

If you had Ben Heller’s eye, you’d have picked 50 straight Derby winners, or signed 100 future Hall of Fame ballplayers when they were 17. “When I think of my old apartment on the Upper West Side,” says the tall, spry Heller, who is 91, “even I’m shocked.” In the mid-1950s, the talent he was […]

Rachel Whiteread Retrospective @ Tate Britain

A metal sign among the found objects, tiny moulds, and notebooks, selected and arranged from across Rachel Whiteread’s 30 year career, reads: ‘Ancient Monuments Acts, 1913 and 1931. Any person who injures or defaces this monument may be fined and ordered to pay the costs of repairs or may be imprisoned.’ The display case is […]

What It’s Like to Live With Art That Doesn’t Love You Back

At a time when art is as commodified as oil, a few collectors have chosen to buy works that are messy, perishable and threaten to take over their lives. PAUL LEONG, A YOUNG banker who lives in downtown Manhattan, spends an unusual amount of time thinking about square watermelons. He wonders where to get them, […]

Duchamp’s Last Riddle

By now, the story has become a legend: in 1917, artist Marcel Duchamp took a urinal, signed it with a pseudonym, and submitted it for an exhibition put on by the Society of Independent Artists—who rejected it. Fountain, as he winkingly titled the urinal, was one of his ready-mades: a manufactured object that he deemed artworks […]

Who Are the Most Influential Artists of the Last Century? 26 Industry Leaders Weigh In

Which artist defined the last 100 years—and continues to reverberate in the work of artists today? In 2017, a century since Marcel Duchamp turned a readymade urinal into an artwork, we’ve wondered how to characterize the past 100 years in art, posing challenging questions to some of the industry’s brightest figures: What are this century’s most iconic works […]

The Gray Market: Why Museums Can’t Compete With Private Collectors (and Other Insights)

FALSE EQUIVALENCE: Although I always advise caution about these reports, sales at this year’s freshly entombed Frieze and Frieze Masters were allegedly strong from the jump. Numerous exhibitors were eager to broadcast their results (or at least, pretend to) on VIP preview night. But rather than resurrect the issue of dubious honesty from self-interested actors in a consequence-free […]

What Is the Most Iconic Artwork of the 21st Century? 14 Art Experts Weigh In

How do you choose one defining artwork for a century still in its adolescence? Some of the art world’s leading figures take their best shot. Want to make an art historian laugh? Ask them to name the most iconic artwork of the 21st century. Turns out, it’s not so easy to single out the most […]

The Guggenheim’s Alexandra Munroe on Why ‘The Theater of the World’ Was Intended to Be Brutal

The curator explains the origins of the exhibition and the thinking behind its most controversial elements. Now well ensconced at the Solomon R. Guggenheim Museum as its Samsung Senior Curator of Asian Art, Munroe is trying to repeat that feat with recent Chinese art history, working with two co-curators—the widely respected experts Hou Hanru and Phillip Tinari—to […]

Where the Wild Things Are: China’s Art Dreamers at the Guggenheim

BEIJING — The signature work at “Art and China After 1989,” a highly anticipated show that takes over the Guggenheim on Oct. 6, is a simple table with a see-through dome shaped like the back of a tortoise. On the tabletop hundreds of insects and reptiles — gekkos, locusts, crickets, centipedes and cockroaches – mill about under […]

Let This Be Your Guide: 7 Famous Artists Describe Their Favorite Artworks at The Met

When a single work at the Metropolitan Museum of Art catches your attention and stops you in your tracks, it can feel like you’ve unearthed a hidden treasure. In Phaidon’s upcoming book The Artist Project: What Artists See When They Look at Art, over 100 artists reflect on this same experience—the moment when an artwork from the Met’s collection overwhelmed […]

Jenny Holzer: Words of Conflict

As three new commissions open this year in the UK and Abu Dhabi, the US artist reflects on the continued dominance of war as a theme in her work and says she longs for Trump to be “in the past tense” Jenny Holzer has put words in unexpected places for nearly 40 years. Her texts […]

Rachel Whiteread review – accentuate the negative

Tate Britain, London Whiteread’s inside-out casts of everything from hot-water bottles to chicken sheds are poised between banality and a spellbinding poetry of the past. There is a small white shack on the lawn in front of Tate Britain. It looks exactly like the very thing it is, namely the concrete cast of a chicken shed. […]

Dick Bellamy: The Man Hiding at the Center of Everything

He was slight and unassuming with a bushy mop of dark hair and deep circles under his eyes hinting at the alcoholic dissipation of a poète maudit. His voice was a suggestive murmur, both musical and raspy from smoking too much. Most people called him Dick. To friends he would announce himself as George, a […]

When Dealers, Too, Were Romantics

“Dealers are as important as the artists themselves,” the gallery owner Leo Castelli once said. “Hecannot exist without us, and we cannot exist without him.” Gendered language aside, Castelli’s remark captures the fragile symbiosis between those who make art and those who sell it. Lately, however, dealers have been having trouble keeping up their end of […]

Rachel Whiteread and Antony Gormley: this week’s best UK exhibitions

1 Rachel Whiteread The ghostly power of Whiteread’s casts is one of modern British art’s wonders. Her sculptures – preserving the shapes of lost objects – combine the authority of abstraction with the spookiness of Victorian photographs. Her work has a poetic intensity that has not diminished since she created her now-demolished public sculpture House in […]

Rachel Whiteread Talks To Sue Hubbard About Her New Exhibition At Tate Britain

Trying to get hold of Rachel Whiteread to talk about her new exhibition at Tate Britain, her largest to date, is rather like attempting to gain an audience at the White House. The Tate only gives me a strict half an hour but she walks me round the show before it opens as the technicians beaver away, happy that […]

Three to see: London (Rachel Whiteread)

From Rachel Whiteread’s mummified air to the burial rituals of the mysterious Scythians. On very special occasions, Tate Britain’s 1979 extension is opened up into a vast, single, top-lit space. This is the case for Rachel Whiteread’s career survey (until 21 January 2018) of 30 years of work, from breakthrough sculptures made the year after she graduated […]

Beyond Supply and Demand: How Artworks are Priced?

The pricing of artworks is not a simple matter. And while the basic economic principles of supply and demand do still apply to the art market, the factors that contribute to an artist’s “supply,” or the availability of their art for sale, and an artist’s “demand,” or how many collectors are willing to buy their […]

Rachel Whiteread exhibition review – the secret life of things *****

Sinks, baths, stairs, hot-water bottles, beehives and the space beneath chairs … a walk through Rachel Whiteread’s casts is a journey into a common landscape made strange Some of her more recent casts of cabins and sheds have been permanently located in out-of-the way places, to be discovered by chance (just imagining them baking in […]

Celebrating over 25 years of Rachel Whiteread’s internationally acclaimed sculpture – video

One of Britain’s leading contemporary artists, Whiteread uses industrial materials such as plaster, concrete, resin, rubber and metal to cast everyday objects and architectural space. Her evocative sculptures range from the intimate to the monumental. Born in London in 1963, Whiteread was the first woman to win the Turner Prize in 1993. The same year she made House 1993–1994, a […]