Clean, Well-Lighted Places: On Our Nostalgia for the Golden Age of Art Dealing

The notion that collectors sit atop the hierarchy of today’s art world is axiomatic. They build private museums and control the boards of traditional ones. Through their acquisitions, they determine the fates of artists, and often overshadow curators, historians, and critics—all those ink-stained intellectuals who used to play a larger role in determining art’s value. […]

Public Talk: Collecting Contemporary Art

“Without tradition, art is a flock of sheep without a shepherd. Without innovation, it is a corpse.” – Sir Winston Churchill Join Laing Brown, a noted art collector, Board Member and Chair of the Audain Art Museum Acquisitions Committee, for a public multi-media presentation where he will discuss his Top 10 Collecting Rules for contemporary […]

For Art Dealers, the Place to Be Is Still London

These are early days, but the Hieronymus Bosch vision of a socioeconomic apocalypse that many feared would follow Britain’s June 23 vote to leave the European Union has yet to materialize.  True, the pound has lost about 10 percent of its value against other major currencies, and a huge amount of political uncertainty still remains, […]

The Top 10 Most Expensive Living American Artists of 2016

Each year, artnet News rounds up the art world’s top-performing artists at auction, across categories. But as the 2016 results come in from the first half of auction season, not much has changed since we last mined theartnet Price Database to identify the most expensive living American artists of 2015—which isn’t a good thing. Similar to […]

The Art Market: now what?

This week saw the first post-Brexit art auctions in London, and they brought considerable cheer to a market predominantly dismayed at the Leave decision. To a backdrop of a declining exchange rate for the pound and Britain losing its AAA rating status, on Monday Phillips turned in a modest total of £9.8m hammer (£11.9m with […]

A Movement in a Moment: Land Art

Discover how a generation of artists swapped pencils for dumper trucks as they made the world their canvas. In the summer of 1967, while hitchhiking his way from St Martin’s School of Art to his home city of Bristol, the British art student Richard Long stopped in a field in Wiltshire, and walked repeatedly in […]

Architect Annabelle Selldorf on Why Mega-Galleries Are Transforming Into Mini-Museums

If you are even a casual appreciator of art in New York, the chances are that you have stepped into one of Annabelle Selldorf’s spaces, and been entranced. Perhaps the most coveted architect among the minimalistically inclined art elite, Selldorf has designed a broad spectrum of the city’s art sites, from theNeue Galerie uptown, steeped […]

American Beauty: Jasper Johns, Robert Rauschenberg, and the Case of the Missing Flag

Robert Rauschenberg kept only one major example of his earliest, most influential body of work, the Combine paintings he made between 1954 and 1961. Short Circuit (1955) is similar to other works from the period; it incorporates sculptural elements with both painting and drawing and combines abstraction with images and objects plucked from the young […]

Lessons in Gigantism: Richard Serra Makes It Work

There’s never a shortage of mega-art in Chelsea: a stroll one morning this week encountered such gallery-filling works as Jordan Wolfson’s deranged, chain-operated marionette (“Colored sculpture,” 2016) at David Zwirner and Anish Kapoor’s mammoth, packed-earth “She Wolf” (2016) at Gladstone. And then there’s Richard Serra, whose double-gallery blowout at Gagosian is Exhibit A for material-intensity-meets-overwhelming-scale. […]

Richard Serra’s Steel Behemoths Get Into Your Head

Richard Serra may have his ideological detractors, but he is certainly today’s greatest living sculptor of Minimalist abstraction. Exhibitions of new works occupying Gagosian Gallery’s two Chelsea display spaces find Mr. Serra at 76 still wrangling fundamentals of shape, space, gravity and time into objects and installations of thrilling severity. The most arresting piece at […]

Richard Serra’s 10 Most Expensive Artworks at Auction

Iconoclastic American artist Richard Serra launched an exhibition of his latest steel behemoths at Gagosian Gallery in New York this past Saturday, featuring four new works: Above Below Betwixt Between,Every Which Way, Silence (for John Cage), and Through. It’s the thirtieth big show at the gallery for the artist, who splits his time between New York and Nova Scotia. Suffice it to say, the […]

The Art of Larry Gagosian’s Empire

“CAN WE QUICKEN this up?” It’s lunchtime in New York and Larry Gagosian is hungry. It’s time for supper—or at least aperitifs—in Europe, where he recently did a three-week working tour of France, England, Germany and Switzerland, and it’s breakfast in Los Angeles, where last week he hosted his annual pre-Oscars opening at his Beverly […]

Art Galleries Face Pressure to Fund Museum Shows

Galleries have always provided scholarly support for museums exhibiting their artists’ work.  Now they’re expected to provide money, too. In today’s exploding art market, amid diminishing corporate donations and mounting exhibition costs, nonprofit museums have been leaning more heavily on commercial galleries for larger amounts of money — anywhere from $5,000 to $200,000 each time […]

The unspoken reason why galleries are flocking to Los Angeles

Galleries like Sprüth Magers and Hauser Wirth & Schimmel quietly but fiercely compete for the city’s artists. The grand openings of the Los Angeles branches of European galleries Sprüth Magers and Hauser & Wirth (called Hauser Wirth & Schimmel), on 23 February and 13 March respectively, are sure to generate even more buzz about the […]

One-Two Punch: The Rise of Joint Representation has Dealers Sharing Artists All The Way to the Bank

If a collector wanted to buy a Frank Stella at Art Basel Miami Beach last December, he could have walked up to the booth of New York’s Marianne Boesky Gallery, which represents Frank Stella. Or, he could have walked up to the booth of London and New York gallery Dominique Lévy, which also represents Frank Stella. […]

The Met and the Now

America’s preëminent museum finally embraces contemporary art. Gertrude Stein’s famous remark that “you can be a museum or you can be modern, but you can’t be both” sounds archaic today. Every self-respecting urban center has its museum of modern art, and climate-change-denying business leaders will spend lavishly to get their name on its walls. The […]

Why Experts Say the Latest Copyright Lawsuit Against Richard Prince Matters

Yet another lawsuit has been filed by a photographer against a major artist, and the case could have a major impact on the interpretation of copyright and intellectual property law. Photographer Donald Graham has brought suit against Richard Prince for using a photograph of a Rastafarian in his 2014 Gagosian Gallery exhibition “New Portraits,” which […]

Outraged Photographer Sues Gagosian Gallery and Richard Prince for Copyright Infringement

Renowned photographer Donald Graham brought a federal complaint against Gagosian Gallery, Larry Gagosian, and artist Richard Prince on December 30 for unauthorized use of one of his famous images,Rastafarian Smoking a Joint, in the 2014 show “New Portraits.” Along with the black-and-white image of a Rastafarian man lighting a marijuana cigarette, which is the subject of […]

In Search of Lost Time: How the Art World Dispensed With Chronology in 2015 (and Why 2016 Will Be the Year of the “Historical-Contemporary”)

Although it may seem strange to devote a year-end roundup to the subject of atemporality, 2015 found the art world in a state of chronological confusion. The year began, so to speak, in December of 2014 when the Museum of Modern Art opened “The Forever Now: Contemporary Painting in an Atemporal World,” which ran through […]