After months of speculation, rumour, and stage-managed hype, Damien Hirst’s latest extravaganza is finally opening in Venice – and, my goodness, it’s enormous. With 190 works of art, displayed across 54,000 square feet of gallery space, Treasures from the Wreck of the Unbelievable, as the exhibition is called, is arranged across two venues: Palazzo Grassi, […]
The Conceptual art movement is probably the most radical and the most controversial plane in modern and contemporary art. Some artists, experts and art historians even dismiss it as art. Conceptual art is based on the notion that the essence of art is an idea, or concept, and may exist distinct from and in the […]
Revisiting the irony of the original Dada movement, Neo-Dada was first popularized in the early 1960s. The label has been applied to a wide variety of artistic works, mostly including Junk art, use of found objects and the employment of banal activities and objects as instruments of social and aesthetic critique. The most popular names […]
Can One Make Works That Are Not “Works” of Art? This was a question asked by Duchamp in his notes from 1913, and remains being the essential question while considering the Richard Mutt Case. Exactly one hundred years ago, in 1917, the course of art history has been completely changed by a submission of a urinal […]
Discover the enduring legacy of the readymade in works by Manzoni, Koons, Hirst, Emin … Marcel Duchamp’s Fountain hardly needs an introduction. Celebrating its 100th anniversary this year, the work was originally submitted for display at the 1917 exhibition of the Society of Independent Artists in New York City. Famously rejected by the committee, Duchamp instead exhibited the work at Alfred […]
Even after digesting this considerable amount of ostensibly transitory disclosure, Duchamp remains an unadulterated, irreverent enigma. While his readymades are a triumph of pure indifference over taste, admirers of Marcel Duchamp continue to be far from indifferent to this cryptic artist. By offering more than homage, Elena Filipovic’s The Apparently Marginal Activities of Marcel Duchamp, […]
Often described as a provocateur, prankster and tragic poet of our times, Maurizio Cattelan has loudly announced his retirement from art in 2011. By installing an 18-karat solid gold toilet in the Guggenheim Museum in 2016, the artist has officially emerged from his self-imposed retirement, in style. Titled America, the ongoing project has taken up […]
There is no doubt that the 20th century art was all about changing perspective. The artist’s way of seeing and therefore understanding things has been changing and continues to do so even in this day and age. The new, experimental approach to perspective was pursued both directly and implicitly. Painters and sculptors had abandoned linear […]
Laing Brown is an art collector who is interested in ideas. Brown, chair of the Audain Art Museum acquisitions committee and an external advisor to the acquisitions committee of the National Gallery of Canada, has just returned from Britain, where he went to check out Frieze London, where 160 of the world’s top commercial galleries […]
The notion that collectors sit atop the hierarchy of today’s art world is axiomatic. They build private museums and control the boards of traditional ones. Through their acquisitions, they determine the fates of artists, and often overshadow curators, historians, and critics—all those ink-stained intellectuals who used to play a larger role in determining art’s value. […]
“Without tradition, art is a flock of sheep without a shepherd. Without innovation, it is a corpse.” – Sir Winston Churchill Join Laing Brown, a noted art collector, Board Member and Chair of the Audain Art Museum Acquisitions Committee, for a public multi-media presentation where he will discuss his Top 10 Collecting Rules for contemporary […]
What did the artists associated with Abstract Expressionism do so differently? And how is their work still relevant today? As the first survey of Abstract Expressionism for nearly 60 years is staged in Britain, co-curator David Anfam answers key questions. 1. How was Abstract Expressionism different to what came before? Crucially Abstract Expressionism, or ‘Ab […]
Ai Weiwei’s Tree (2009–10) stands a towering five metres in height, and spans the same distance at its upper reaches. A commanding yet enchanting presence in Gallery B105, Tree is flanked to the west by the late Sol LeWitt’s experiment with colour and asymmetry, Wall Drawing No. 623 Double asymmetrical pyramids with colour ink washes […]
In this extensive interview excerpted from the revised and expanded edition of Phaidon’s monograph Alex Katz, the New York-based painter sits down with his longtime friend Robert Storr, the now-outgoing dean of the Yale School of Art, for a lively, winding discussion about the artist’s influences, concerns, and life history. You once said that a jerk is somebody […]
Great art museums need great art. That should go without saying, but the new Tate Modern is so architecturally exhilarating that I started to wonder: perhaps you really can have a museum where it doesn’t matter much what’s in it because the experience of walking around is so enjoyable and cool. I love the Switch […]
“I remember going to a gallery opening and hearing people say ‘Andy is here, Andy is here,’ and suddenly I saw him through the crowd,” Mr. Ai recalled this week, walking through “Andy Warhol/Ai Weiwei” at the Warhol Museum here. “It was incredible to be in the same room, but I was a nobody.” In […]
If you build it, they will come. Or that’s what the board at the San Francisco Museum of Art is betting on. This week, the 81-year-old institution opens its doors after a three-year renovation, gifting the West Coast with a world-class collection that would make MoMA blush. Sure, you can see Richard Serra in New […]
In one epic exhibition, the Vancouver Art Gallery explores the history of the remix, from Marcel Duchamp to Danger Mouse. For the epic exhibition “MashUp: The Birth of Modern Culture,” on view through June 12 at the Vancouver Art Gallery, the word [Mash-UP] has been wisely adopted to cover all the “mixing, blending and reconfiguration […]
America’s preëminent museum finally embraces contemporary art. Gertrude Stein’s famous remark that “you can be a museum or you can be modern, but you can’t be both” sounds archaic today. Every self-respecting urban center has its museum of modern art, and climate-change-denying business leaders will spend lavishly to get their name on its walls. The […]
Inside the rotunda of the Tehran Museum of Contemporary Art, a circular walkway spirals down from the street level, like an underground version of Frank Lloyd Wright’s Guggenheim Museum in New York. A series of galleries branches out from there, giving up astonishing secrets from one of the finest—if forgotten—collections of 20th century art in […]