A sweeping retrospective shows a personal side of the Pop master — his hopes, fears, faith — and reasserts his power for a new generation, Holland Cotter writes in his review. Mr. Paradox, who never left, is back. Although, technically, “Andy Warhol — From A to B and Back Again”at the Whitney Museum of American Art […]
“I am sick of the art-adoration that prevails among cultured people, more in our time than in any other: that art silliness which condones almost any moral or intellectual failing on the artist’s part as long as he is or seems a successful artist. It is still justifiable to demand that he be a successful human being […]
Ai Weiwei’s crabs, Lawrence Weiner’s texts, Michelangelo Pistoletto’s smashed mirrors and Jenny Holzer’s redacted military documents have all given the baroque pile of Blenheim Palace – home to the dukes of Marlborough and birthplace of Winston Churchill – a jolt over the past few years. Inviting living artists to insinuate their works into this world heritage site, […]
Will a debate over terminology at the Art Gallery of Ontario help the progress of artists who are underrepresented in United States museums? TORONTO — A group of visitors young and old gathered at the Art Gallery of Ontario in front of a well-known Canadian painting the docent called “Church in Yuquot Village.” It was […]
Bruce Hainley on Elena Filipovic’s David Hammons: Bliz-aard Ball Sale. IN 1983, David Hammons held his Bliz-aard Ball Sale, which “probably didn’t bear that title, or any title at all,” as Elena Filipovic discloses in her amazing exposition on the artist’s chill maneuvers. Meanwhile, six months or so later, at a coven sponsored by the National Endowment for the Arts, Rosalind Krauss informed the […]
There is something quietly miraculous about The London Mastaba, Christo and Jeanne-Claude’s 600-ton pyramid-like form that glows red-orange and seemingly sprouts out of its own watery reflections in London’s Serpentine Lake. London is full of verticals, but the glistening structure (on view through September 23) is a matter of horizontals. Rows of 55-gallon barrels laid end […]
To present 21 works in Hong Kong, spanning approximately six decades (1962–2018), is an unusual occasion for Billy Apple, a groundbreaking New Zealand-born artist whose pop-infused conceptual practice is mostly acknowledged in New Zealand, England (where he studied and worked from 1959 to 1964) and the United States (where he lived from 1964 to 1990). Titled Billy Apple® […]
“I could have done that” is a cynical statement that I’m sure we’ve all come across at some point. Some artists occasionally feel invited to respond rudely to the dilettantish comment (and sadly, very often with the similar amount of ignorance). The truth is that there was a series of events that preceded the multivalent […]
If you were to make a list of who you believe are the most controversial artists in history, the name of Marcel Duchamp would be topping many of the lists. He was a French painter, sculptor, writer and a master chess player whose work is often associated with Dadaism and branches of conceptual art, although he does not really seem […]
In a plethora of different forms and styles, the emergence of installation artists has changed the face of art. Involving the configuration of installation of objects in a space, installation artpresents a unified experience practiced by an increasing number of postmodernist artists. Mostly temporary, installation art draws the viewer in, engaging them in multiple ways and making them a part of […]
The Conceptual art movement is probably the most radical and the most controversial plane in modern and contemporary art. Some artists, experts and art historians even dismiss it as art. Conceptual art is based on the notion that the essence of art is an idea, or concept, and may exist distinct from and in the absence of an object as […]
When Clement Greenberg, Frank Stella, and Donald Judd tried to define what makes a painting, they overlooked a central feature — capaciousness. It is routine to characterize the 1970s as a decade dominated by Conceptual Art, and artists such as Sol LeWitt, Lawrence Weiner, Joseph Kosuth, and Mel Bochner. Part of this thinking is market-driven: […]
As explained in Phaidon’s The Art Museum, the world’s most comprehensive exhibition of fine art to be collected and presented in book format (each page is its own gallery room!), Conceptual Art “is not meant to be looked at aesthetically, but to be thought about intellectually.” In the following excerpt, we present 9 distinct approaches to this […]
With ready-made materials and artifacts, Danh Vo’s art recasts the historical events and political ideas that have shaped his world. Danh Vo had just started to gain recognition as a rising young artist when he decided, in 2010, to make a full-scale replica of the Statue of Liberty. He had been offered a one-man show at the Fridericianum, a […]
Is Donald Trump a conceptual artist? That’s the intriguing possibility put forth in an online petition Tuesday that seeks to have the group of eight prototypes for Mr. Trump’s controversial Mexican border wall designated a national monument. The prototypes were built at a cost of $3.3 million in federal funds and unveiled last October along the United […]
Richard Long, the four-times Turner Prize nominee and one-time winner (1989) has been knighted in the New Year’s honours list. Richard has been in the vanguard of conceptual and land art in Britain since he created A Line Made by Walking in 1967, while still a student. This photograph of the path left by his […]
In a 1967 Artforum article titled “Paragraphs on Conceptual Art,” the artist Sol LeWitt gave a simple definition for what would soon become one of the crucial facets of contemporary art in the 20th century and beyond. “In conceptual art,” he writes, “the idea or concept is the most important aspect of the work….The idea becomes the machine that makes the […]
Today, art can be almost anything. But there was a time in the not-so-distant past when abstraction was inconceivable, and it was believed that art could only represent something that already existed in the real world. There was a time when an object couldn’t be considered art unless it showed evidence of the artist’s touch. And until […]
The sculptor Carol Bove likes to play with associations and forms as she builds her assemblages of constructed and readymade objects. Time and space to experiment are crucial elements of her process, as is a certain psychological sovereignty—Bove writes that “creating a nonpurposive, free space in which to play and have fun is essential.” Here, the Brooklyn-based artist […]
The sculptor’s retrospective at the Whitney Museum is a “brilliant, half-century-long act of politically driven self-invention,” our critic writes. “I feel fairly sure that I could address the entire world if only I had a place to stand,” the peripatetic American artist Jimmie Durham said in the 1980s. Now he has that place: the fifth […]