This is Masters in Business with Barry Ritholtz on Bloomberg Radio. BARRY RITHOLTZ, ANCHOR, BLOOMBERG: This week on the podcast I have a special guest. Her name is Brooke Lampley. She was the former head of impressionist and modern art at Christie’s. She is the incoming Chairperson of Fine Art Sotheby’s and this is a […]
Sections of an all-American home have been mounted on the walls. A major new public art work by Rachel Whiteread modelled on a suburban US house will be unveiled next week at the new US Embassy in Nine Elms, south London. The wall sculpture, titled US Embassy (Flat pack house; 2013-1015), will greet embassy visitors as […]
On April 27th, more than a hundred people gathered in the underground auditorium of a prestigious contemporary-art museum in Mexico City. Those who couldn’t find seats lingered outside, watching a live video feed of what was transpiring within; more than seventy thousand others streamed the proceedings at home. For almost two hours, the audience looked on […]
It was the peak of the 2014 fall auction season in New York, and though nearly two decades had gone by since Martin Kippenberger’s death of liver failure in 1997, the artist’s market had never been hotter. Prior to its bellwether postwar and contemporary evening sale, Christie’s had set the estimate for a prized 1988 […]
British minimalist sculptor Rachel Whiteread (b. 1963) is known for her innovative use of negative space as sculptural object. Most renowned for her plaster casts of architectural spaces and utilitarian found objects, Whiteread’s haunting, tomb-like works evoke themes of loss, memory, and invisibility. Whiteread’s work is currently on view at Monnaie de Paris as part of the Women House Exhibition, which […]
Is Donald Trump a conceptual artist? That’s the intriguing possibility put forth in an online petition Tuesday that seeks to have the group of eight prototypes for Mr. Trump’s controversial Mexican border wall designated a national monument. The prototypes were built at a cost of $3.3 million in federal funds and unveiled last October along the United […]
Richard Long, the four-times Turner Prize nominee and one-time winner (1989) has been knighted in the New Year’s honours list. Richard has been in the vanguard of conceptual and land art in Britain since he created A Line Made by Walking in 1967, while still a student. This photograph of the path left by his […]
Year 2017 saw its fair share of controversies, culture wars, and political upheavals, and in some ways, it seems like the art world has run parallel to mainstream culture more than ever in recent decades. Artists have not only responded to the difficult issues that have come to light this year; some have raised controversy […]
Richard Serra told us that he came to a place in his work where he didn’t want people to be simply looking at a single object; he wanted them to experience the work by going through it. “Yes, the walk into, through and around,” he said, so on November 5, 2017, on the morning after […]
A radiant Guggenheim exhibition grounds the proto-Minimalist abstract paintings of Josef Albers in the geometric grandeur of Mesoamerican monuments. Art rarely thrives in a vacuum. It is by definition polyglot and in flux, buffeted by the movement of art objects, goods and people across borders and among cultures, and also by individual passion. This much, […]
The rise and fall of Damien Hirst is an oft-told tale of hubris and nemesis. An art-world superstar in the nineteen-nineties and early two-thousands, Hirst made white-hot works—the most infamous of which involved animals immersed in formaldehyde—whose prices only ever went up. He got rich, his galleries got rich, his collectors got rich, everybody was happy. But, then, […]
The Swiss-US retrospective will include early painting that shocked 1960s Germany, plus “exuberant and explosive” late works. Georg Baselitz will get a US-Swiss retrospective next year co-organized by the Hirshhorn in Washington, DC, and Fondation Beyeler, near Basel. The show is set to kick off at the private museum in Switzerland on January 21—two days before […]
When in the late 1980s and early 1990s, the Young British Artists announced themselves in an alcohol-fueled cacophony of controversy it looked as though the British art scene would never be the same again. Here was a media-savvy group untrammeled by artistic or behavioral politeness. Shock and outrage were a key part of their modus […]
In a 1967 Artforum article titled “Paragraphs on Conceptual Art,” the artist Sol LeWitt gave a simple definition for what would soon become one of the crucial facets of contemporary art in the 20th century and beyond. “In conceptual art,” he writes, “the idea or concept is the most important aspect of the work….The idea becomes the machine that makes the […]
How did we get to where we are today in the realm of fine art? Who were the artists that changed the course of art history and what were the artworks that broke the mold? In Part I of this two-part series we described the advances in Modern art starting with the advent of abstraction and ending […]
Today, art can be almost anything. But there was a time in the not-so-distant past when abstraction was inconceivable, and it was believed that art could only represent something that already existed in the real world. There was a time when an object couldn’t be considered art unless it showed evidence of the artist’s touch. And until […]
The artist of “Infinity” rooms has become an Instagram darling. But two new gallery exhibitions in New York show that she’s much more than that — an almost frighteningly fertile talent. Sometimes I think Yayoi Kusama might be the greatest artist to come out of the 1960s and one of the few, thanks in part […]
Implications of the Women’s Lib movement for art history and for the contemporary art scene—or, silly questions deserve long answers. A version of this story originally appeared in the January 1971 issue of ARTnews. While the recent upsurge of feminist activity in this country has indeed been a liberating one, its force has been chiefly emotional—personal, […]
Jimmie Durham reflects on the ways self-portraits both reveal and hide information, and what it means “to be a citizen of the world.” Watch the Video.
The sculptor’s retrospective at the Whitney Museum is a “brilliant, half-century-long act of politically driven self-invention,” our critic writes. “I feel fairly sure that I could address the entire world if only I had a place to stand,” the peripatetic American artist Jimmie Durham said in the 1980s. Now he has that place: the fifth […]